Joseph Turow is Robert Lewis Shayon Professor of Media Systems & Industries at the Annenberg School for Communication. Turow is an elected Fellow of the International Communication Association and was presented with a Distinguished Scholar Award by the National Communication Association. A 2005 New York Times Magazine article referred to Turow as “probably the reigning academic expert on media fragmentation.” In 2010, the New York Times called him the ranking wise man on some thorny new-media and marketing topics. In 2012, the TRUSTe internet privacy-management organization designated him a privacy pioneer for his research and writing on marketing and digital-privacy.
He has authored twelve books, edited five, and written more than 160 articles on mass media industries. His most recent books are The Voice Catchers: How Marketers Listen In to Exploit Your Emotions, Your Privacy, and Your Wallet (Yale, forthcoming early 2021), Media Today: Mass Communication in a Converging
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A slide from Florian Krauàs presentation
The second âLetâs Talk Screenwriting!â roundtable, entitled âShowrunners and writersâ rooms in European television productionâ was held online on 12 April. The event, organised by the Media Industries, Infrastructures and Institutions (MI3) research group from Utrecht University, was chaired by
Hanna Surma, assistant professor of Media Studies at the same university.
Following Surmaâs opening remarks, the floor was given to
Eva Novrup Redvall (University of Copenhagen). In her case study on Danish writersâ rooms, Redvall explained that the countryâs audiovisual landscape has been characterised by a strong public service broadcasting culture, with a user base of around 5.7 million viewers. According to the figures provided by DR Media Research, in 2019 the largest market shares were controlled by DR (35.5%) and TV2 (40.4%). However, the country has also recorded a sharp increase in SVOD con
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The second âLetâs Talk Screenwriting!â roundtable examines the role of writersâ rooms in Danish, German and Dutch television production
A slide from Florian Krauàs presentation
The second âLetâs Talk Screenwriting!â roundtable, entitled âShowrunners and writersâ rooms in European television productionâ was held online on 12 April. The event, organised by the Media Industries, Infrastructures and Institutions (MI3) research group from Utrecht University, was chaired by
Hanna Surma, assistant professor of Media Studies at the same university.
Following Surmaâs opening remarks, the floor was given to
Eva Novrup Redvall (University of Copenhagen). In her case study on Danish writersâ rooms, Redvall explained that the countryâs audiovisual landscape has been characterised by a strong public service broadcasting culture, with a user base of around 5.7 million viewers. According to the figures provided by DR Media R
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Michael-leendertse
Winchester-mcfly
India's new oversight of digital news platforms is drawing protest from the media industry and activists who fear the rules will curb press freedom in the world's largest democracy. India, which has one of the world's biggest and most diverse media industries, last month announced the Intermediary Guidelines and Digital Media Ethics Code, aimed at pushing Big Tech firms such as Facebook to comply with content takedown orders. Media executives fear such oversight could lead to censorship of content seen as critical of the government, and three digital news outlets have approached state courts.
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