Sursa foto: musicexport.ro
Romanian Music Export, the first Romanian music promotion and export program at European level, will hold an online edition on January 31, which will consist of live and recorded discussion panels with Romanian and foreigners speakers relevant for industry and showcases of Romanian troops, according to AGERPRES.
According to a press release, the event will be broadcast on https://musicexport.ro/, but also on Facebook and Youtube channels, and viewing will be free for the public. The online edition of January 31 is essential for the continuation of the Romanian Music Export program and to make possible the 2021 live offline edition, due to the unprecedented situation created by the coronavirus pandemic, which forced the cancellation, postponement or reorientation towards the online of all events and cultural activities. The RME digital platform is created for Romanian artists, especially those on the rise, with a vital need for guidance and support durin
2. Visit Peleș Castle
Romania is home to some pretty impressive castles this is no secret! And Peles Castle, situated in central Romania, is one of our favorites.
As one of Romania’s most visited castles, Peles Castle has an incredible history, surroundings, and architecture. The history began when Prince Carol of Romania saw Sinaia; he was overwhelmed by its beauty and decided to get some land and ordered a castle to be built to be used as a summer residence for the Romanian royal family.
With 34,444 square feet, the castle has 160 lavishly decorated rooms with beautiful furniture and more than 30 bathrooms accompany them.
It’s time to break away from old, unsustainable habits and focus on revitalizing local communities.
Who would have thought that 2020 would be the year when the world stopped spinning? In these unprecedented times, the electronic music industry is now challenged with the task of envisioning what the “new normal” will look like or how the scene (or what’s left of it) will function. In a business that favors big names and big numbers, the lack of access to equitable opportunities has put the creative ecosystem to the test. It’s likely that high-earning DJ superstars or well-established institutions will be among the very few to survive this crisis and will go on to thrive with little competition in the years that follow, once the majority of alternative musicians and spaces disappear.