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Gió Marconi opens Matthew Brannon s third solo show with the gallery

Gió Marconi opens Matthew Brannon s third solo show with the gallery Matthew Brannon, 2021 (detail). Silkscreen with hand painted elements on paper, 52 x 45.5 inches. Photo: Kevin Frances. MILAN .-Gió Marconi opened “Cold Shoulders / Foreign Affairs / Seafood Dinners / Power Vacuums / and The Last Gate at the End of a Very Long Terminal”, Matthew Brannon’s third solo show with the gallery. I made this exhibition during the surreal year that was 2020. I imagined a plane hovering in mid-air above a city sometime during the last century. Light as a feather, heavy as a whale. Each artwork shows the seat of an unseen passenger. It’s the set of a theatre production after the show is over and the cameras are off. It’s the moment upon waking before you remember all you have to do. It’s the center of a book I wrote long ago. It’s a space for you to enter. The floating world. – Matthew Brannon, New York City, March 2021

Spring takes flight as bird art fledges in the city where the RSPB was born

Spring takes flight as bird art fledges in the city where the RSPB was born
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The hammer-wielding suffragettes who attacked 13 paintings in Manchester Art Gallery 108 years ago today

The hammer-wielding suffragettes who attacked 13 paintings in Manchester Art Gallery 108 years ago today The story of the Manchester Art Gallery outrage Annie Briggs, Lillian Forrester and Evelyn Manestra rampaged through Manchester Art Gallery with a hammer (Image: Manchester Archive and Local Studies) Sign up for our What s On newsletter - for all the latest whether you re staying in or heading out and aboutInvalid EmailSomething went wrong, please try again later. Subscribe When you subscribe we will use the information you provide to send you these newsletters. Sometimes they’ll include recommendations for other related newsletters or services we offer. OurPrivacy Noticeexplains more about how we use your data, and your rights. You can unsubscribe at any time.

The British art campaign trying to halt the snuffing out of culture

The British art campaign trying to halt the ‘snuffing out of culture’ Designer Katharine Hamnett and the head of the Contemporary Art Society hope to save an art scene verging on Covid-induced collapse 15 March 2021 • 5:00am In the End We All Succumb to the Pull of the Molten Core (2016) by Glenn Brown, acquired by CAS Credit: Edgar Laguinia Over the last 110 years, the Contemporary Art Society (CAS) has worked vigorously to get works by modern artists into our national collections. It boasts a dazzling selection of firsts: the first Barbara Hepworth to be acquired for the nation going to Bristol, the first Grayson Perry going to Stoke-on-Trent, and so on.

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