Adapted by Michel Hazanavicius, the story unfolds on the set of a Z-movie veering towards disaster. Surrounded by jaded technicians and disinterested actors, the director seems to be the only person vested with the energy required to breathe life into yet another low-budget zombie film. But as they prepare to shoot an especially uninspiring scene, they’re disrupted by the arrival of the real living dead.
Final Cut is produced by La Classe Américaine (owned by Michel Hazanavicius himself), and by
Brahim Chioua and
Vincent Maraval on behalf of Getaway Films, together with US firm SK Global Entertainment and BlueLight. Co-produced by France 2 Cinéma, the feature film (on which shooting will continue until the end of May in the Paris region) has also been pre-purchased by Canal+ and Ciné+, and enjoys the support of the SOFICA Company Sofitvcine. World sales are steered by Wild Bunch International (who are also distributing the movie in France), with Gaga already named as the f
Adapted by Michel Hazanavicius, the story unfolds on the set of a Z-movie veering towards disaster. Surrounded by jaded technicians and disinterested actors, the director seems to be the only person vested with the energy required to breathe life into yet another low-budget zombie film. But as they prepare to shoot an especially uninspiring scene, they’re disrupted by the arrival of the real living dead.
Final Cut is produced by La Classe Américaine (owned by Michel Hazanavicius himself), and by
Brahim Chioua and
Vincent Maraval on behalf of Getaway Films, together with US firm SK Global Entertainment and BlueLight. Co-produced by France 2 Cinéma, the feature film (on which shooting will continue until the end of May in the Paris region) has also been pre-purchased by Canal+ and Ciné+, and enjoys the support of the SOFICA Company Sofitvcine. World sales are steered by Wild Bunch International (who are also distributing the movie in France), with Gaga already named as the f
Adapted by Michel Hazanavicius, the story unfolds on the set of a Z-movie veering towards disaster. Surrounded by jaded technicians and disinterested actors, the director seems to be the only person vested with the energy required to breathe life into yet another low-budget zombie film. But as they prepare to shoot an especially uninspiring scene, they’re disrupted by the arrival of the real living dead.
Final Cut is produced by La Classe Américaine (owned by Michel Hazanavicius himself), and by
Brahim Chioua and
Vincent Maraval on behalf of Getaway Films, together with US firm SK Global Entertainment and BlueLight. Co-produced by France 2 Cinéma, the feature film (on which shooting will continue until the end of May in the Paris region) has also been pre-purchased by Canal+ and Ciné+, and enjoys the support of the SOFICA Company Sofitvcine. World sales are steered by Wild Bunch International (who are also distributing the movie in France), with Gaga already named as the f
2011’s
The Artist, the black-and-white paean to the silent film era, doesn’t hold much of a place in the film conversations of today. But the movie certainly struck a chord with Oscar voters the next year, winning Best Actor for Jean Dujardin, Best Director for
Michel Hazanavicius, and ultimately winning Best Picture.
Now, the filmmaker behind that cinematic anomaly has set his sights on a remake of the low-budget Japanese horror comedy
One Cut of the Dead, which is about a film crew that encounters real zombies while making a zombie movie – or at least that’s how it appears at first. You really, really should watch it. The new film, which is being shot in Hazanavicius’s native France, is called
En marcha un remake francés de One Cut of the Dead a manos del director de The Artist 20minutos.es - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from 20minutos.es Daily Mail and Mail on Sunday newspapers.