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Auto: Achtung! Warum Sie bei Verkehrskontrollen lieber schweigen sollten

Auto: Achtung! Warum Sie bei Verkehrskontrollen lieber schweigen sollten
t-online.de - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from t-online.de Daily Mail and Mail on Sunday newspapers.

Gerichtsurteil: Polizeikontrolle filmen – ist das eigentlich erlaubt?

Gerichtsurteil: Polizeikontrolle filmen – ist das eigentlich erlaubt?
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Punkteauskunft – einfach online auf dem Smartphone

Punkteauskunft – einfach online auf dem Smartphone
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Sue Coe "Paintings" James Fuentes Essex

Share this article Sue Coe Unveils Intensely Political Paintings at James Fuentes Essex Striking works that address pressing social issues. Sue Coe is the contemporary British-American artist and activist who specializes in creating stark and graphic works that address pressing social issues. Coe works across a variety of mediums including painting, printmaking, and a realistic drawing style to convey scenes of animal suffering, sweatshops, prisons, AIDS, war, and anticapitalism throughout her prolific oeuvre. Coe grew up near a slaughterhouse in Staffordshire, England which informed the artist’s lifelong passion for animal rights activism. Her illustrations have appeared in a wide variety of publications, including

Juxtapoz Magazine - Sue Coe: Paintings @ James Fuentes Essex, NYC

Sue Coe: Paintings @ James Fuentes Essex, NYC James Fuentas Essex // May 06, 2021 - June 06, 2021 May 13, 2021 | in Painting James Fuentes is pleased to present paintings by SUE COE at James Fuentes Essex in collaboration with Galerie St. Etienne. Sue Coe is a British-American artist and activist working across drawing, printmaking, and painting. Coe studied at the Royal College of Art in London and emigrated to the US in the early 1970s, where she lived in New York City until upstate New York in 2002. Coe is known for her striking, propaganda-like visual commentary on major events and figures in culture and politics, rendered in stark visual contrast through her highly recognizable palette of black, white, and red. Coe’s experience growing up in close proximity to a slaughterhouse informed her lifelong animal rights activism, which remains interconnected within both her wider political activism and her output as an artist. In the decades since, Coe’s work has focused on facto

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