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Damien Hirst s Cherry Blossoms bloom at Cartier Fondation
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6 Arab films from 5 countries shine at Cannes Film Festival 2021
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Damien Hirst s first museum exhibition in France opens at the Fondation Cartier
Damien Hirst in his studio, 2019. Photographed by Prudence Cuming Associates. © Damien Hirst and Science Ltd. All rights reserved, DACS 2021.
PARIS
.- Cherry Blossoms is Damien Hirsts first museum exhibition in France. The Cherry Blossoms series reinterprets, with playful irony, the traditional subject of landscape painting. Hirst combines thick brushstrokes and elements of gestural painting, referencing both Impressionism and Pointillism, as well as Action Painting. The monumental canvases, which are entirely covered in dense bright colours, envelope the viewer in a vast floral landscape moving between figuration and abstraction. The Cherry Blossoms are at once a subversion and homage to the great artistic movements of the late nineteenth and twentieth centuries. They are integral to the pictorial exploration long carried out by Hirst.
Lizzy Attree
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“This exhibition reassesses the work of both Pemba and Hodgins as essentially complex acts of creation, as both intellectual and emotional in origin,” says Wilhelm van Rensburg, Strauss & Co’s head curator and organizer of the exhibition. “The works are products of a disciplined knowledge of the skill of painting and the art of transforming life into art.”
Social Stances is the third in a series of on-going exhibitions organized by Strauss & Co exploring synergies between pairs of historical artists. The first exhibition, in 2019, paired Louis Maqhubela and Douglas Portway, and the second, in 2020, placed works by Gladys Mgudlandlu and Maggie Laubser in conversation. The exhibition will run throughout the month of July and is viewable in person by appointment only, as well as – more conveniently – online. The exhibition is accompanied by a downloadable e-catalogue featuring essays by Van Rensburg, Pemba specialist Sarah Hudleston and Hodgins expert Neil Dundas.