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Music is roaring back at the Lewis & Clark Tap Room, starting in April.
Not only are some of your favorite music acts back on stage, but so are some local music festivals â plus a new one â Wake the Giant Music Revival.
And, thereâs more good news for âlive musicâ lovers.
The Tap Room will be expanding its indoor venue area, growing from 250-occupancy to about 500, said Lewis & Clark Brewing Company owner Max Pigman.
The remodel will add a larger stage area, a larger audience area with better visibility and an upgraded sound system.
Stay tuned for more Tap Room renovation news coming later this month.
Even though they broke up over 10-years-ago, and the chances of a Ragweed reunion are about as high as Koe coming out of lock down dropping a Christian-Polka album on us, to this day Cross Canadian Ragweed remain the epitome of Red Dirt. They are and will forever be the scale on which bands from Oklahoma are measured.
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To help satiate our Ragweed reunion desires, That MusicFest tribute album is out now. It was recorded in January 20 and was arguably the last good thing to happen that year. Cody Canada and Cross Canadian Ragweed were honored in Steamboat Springs, Colo with the MusicFest Tribute to Cody Canada & The Music of Cross Canadian Ragweed.
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In October, Austin s brooding balladeer Bill Callahan teamed with equally enigmatic auteur Bonnie Prince Billy to release a surprise cover of Cat Stevens Blackness of the Night, with arrangements by Drag City labelmate Azita Youssefi. The singles have continued weekly since, each a new cover and collaboration, ranging from pop busters (Steely Dan s Deacon Blues with Bill MacKay; Billie Eilish s Wish You Were Gay with Sean O Hagan) to more obscure (Johnnie Frierson s Miracles filtered through Ty Segall; Lowell George s I ve Been the One with Meg Baird). Amid Lou Reed s Rooftop Garden and Hank Williams Jr. s OD d in Denver, the duo also rolls out a deep Jerry Jeff Walker fascination with takes on Little Bird, Letter Sung to Friends, I Love You, and Night Rider s Lament. The arrangements spiral eclectic and provocative, hung across the balancing act of Callahan s low, methodical intonations and Oldham s creaking high lonesome. –