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Romantika v době covidové, nebo parazitování na současné pandemii? Či dokonce pravdivá vize budoucnosti? Premiéry Pavla Přeučila

Romantika v době covidové, nebo parazitování na současné pandemii? Či dokonce pravdivá vize budoucnosti? Premiéry Pavla Přeučila
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Songbird Ending: What Happened, And Where All The Main Characters Ended Up

CinemaBlend Songbird are in play. If you haven’t seen the film yet, and want to remain unspoiled, this is your official warning. While it looks like a simple, race against the clock thriller, Songbird has a more complex and intercutting narrative. Co-writer/director Adam Mason could have had a more tangled web on his hands, but with the story shorn down to the most basic bones needed to propel the film along its course, there’s a lot of loose threads that need to be closed up in Songbird’s ending. Thankfully, the movie finds a way to wrap all of the main character’s storylines, and even finds a way to give Alexandra Daddario a crucial role to putting the world right. If you haven’t seen

Songbird Review: A Poorly Timed Waste of Timely Potential

Songbird Review: When the announcement first came that Michael Bay would produce a pandemic thriller while we are in the midst of one and that it would be filmed entirely during this time, I tried to keep an open mind. On one hand, even if he’s not writing or directing it, Bay could easily glorify or exploit this issue, on the other, this is on opportune moment for something of value to offer some emotionally-charged thrills for a timely subject, as we’ve seen of late with films and shows exploring issues of systemic racism and police brutality. Unlike a majority of them, however, not only does 

Songbird review - it s not as bad as you ve heard, it s worse

These aren t the fictional figures that open Songbird, but the actual real-life toll of the COVID-19 pandemic as of December 10. It s a number that will only rise in the coming weeks and months, despite the fact the first COVID-19 vaccine is being used in the UK. Songbird actually opens with a fictional figure of 110 million deaths globally as the world enters its fourth year of lockdown, with the COVID-23 virus mutated to be even deadlier with a mortality rate of more than 50%. The movie had already received a significant backlash when it was first announced and we had expressed our own concerns over its timing and sensitivity. However, what we should have actually been concerned about was whether it was actually going to be a good movie, regardless of the wider context.

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