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With Paintings Drawn From the Chihuahuan Desert, Carlos Rosales-Silva Evokes What North American Art Looked Like Pre-Colonization Moving beyond the trap of nopal art. La Pulga . (Photo courtesy Ruiz-Healy Art.) (2019). Carlos Rosales-Silva’s first solo show in New York City, “Sunland Park,” is a collection of paintings on custom shaped wood panels inlaid with plastics, paint-sand mixtures, and dyed stones. These charged works blend geometric abstraction and Tex-Mex architectural flair, channelling this artist’s impressions of the bordertown neighborhood in El Paso, Texas where he grew up absorbing the psychedelic skies. These works are saturated with rich, brilliant hues of the murals, hand-painted business signs, and mountainous landscapes of the Chihuahuan desert. The body of work at Ruiz-Healy Art is also self-consciously an ode to the home Rosales-Silva shares with the Tiwa, Manso, and Piro peoples and an acknowledgement of American modernism’s indebtedness to In

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