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Book giveaway for Princess Naomi Helps a Unicorn: A Dance-It-Out Creative Movement Story for Young Movers by Once Upon a Dance May 13-May 23, 2021

Konora climbed the pre-professional ballet ladder up to Pacific Northwest Ballet’s Professional Division. Along the way, she danced iconic roles such as Sugar Plum Fairy and Cinderella. She’s now a full-scholarship trainee at Ballet Idaho, hoping her dreams don’t fade in COVID’s shadow. Konora’s mother taught creativ Once Upon a Dance, created during the pandemic, is a mother-daughter collaboration. Konora climbed the pre-professional ballet ladder up to Pacific Northwest Ballet’s Professional Division. Along the way, she danced iconic roles such as Sugar Plum Fairy and Cinderella. She’s now a full-scholarship trainee at Ballet Idaho, hoping her dreams don’t fade in COVID’s shadow.

Advocacy group wants to see more Asian dancers on the stage, and more Asian choreographers on the program

increase font size Advocacy group wants to see more Asian dancers on the stage, and more Asian choreographers on the program By Anying GuoThe Washington Post Erin Baiano Phil Chan and Georgina Pazcoguin, the founders of Final Bow for Yellowface, an organization dedicated to eliminating offensive Asian stereotypes in dance, had been working on their virtual choreography festival for months when something suddenly shifted their focus: a shooting in Atlanta that left eight people dead, six of them Asian. The pair knew they had to respond, pulling people in their Asian creative community together to air fears and unload the emotional baggage from a year of increased hate crimes against Asians across the country.

KUOW - When theatres went dark, stagehands worked to keep their unique community protected

Stagehands in front of the Paramount Theatre Credit: Courtesy of Caroline Anne and Artpunk Photography When theatres went dark, stagehands worked to keep their unique community protected May 07, 2021 Theatres and other performance spaces around Seattle have been shuttered for over a year now. Many of us miss the magic of attending a live performance, but how often do we think about the people behind the scenes? This interview has been edited for clarity. Kim Malcolm: Remind us of what it was like when the performing arts spaces shut down back in March of 2020. Crystal Paul: In other industries, it was pretty slow. There were some options for people. There was takeout for restaurants. People were kind of trying to navigate some things. For theater techs, it was literally one day they were hard at work, and the next that’s it, that’s a wrap. They turned off the lights and walked out. They set down their tools, and that was it.

BWW Review: PACIFIC NORTHWEST BALLET S COPPELIA ON THE DIGITAL STAGE Filmed at McCaw Hall

PNB s Digital Season continues from May 6th to May 10th 2021 with a delightful archival recording from 2016 of PNB s production of George Balanchine s Coppélia , choreographed by Mr. B and Alexandra Danilova to the music of Léo Delibes. Back in 2014, I wrote a BWW Dance review of the ballet as danced by the New York City Ballet, and I can attest that PNB s production is equally superb. Digital tickets are available at https://order.pnb.org/digital/rep5. I promise that the whole family will enjoy this comedic ballet that is replete with first-rate dancing, charming mime, and well trained youngsters from the Pacific Northwest Ballet School.

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