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Czech opera diva Dagmar Pecková

Czech opera diva Dagmar Pecková
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Gustavo Dudamel Hasn t Conducted Much Opera That s OK

Gustavo Dudamel Hasn’t Conducted Much Opera. That’s OK. This classical superstar, just named as the Paris Opera’s next music director, isn’t the first maestro to jump to the theater. Gustavo Dudamel, the next music director of the Paris Opera, rehearsing for his debut at the Metropolitan Opera in 2018.Credit.Vincent Tullo for The New York Times April 18, 2021, 3:34 p.m. ET The conductor Gustavo Dudamel has accomplished so much in his blazing career that it’s easy to forget he’s only 40. The music world has wondered for a while what his future would hold beyond the Los Angeles Philharmonic, a hotbed of adventurousness where he has been the musical leader since 2009. Major orchestras around the world have pursued him. Anything seemed possible.

Heading back to the cinema, theatre or a concert? Here are 3 ways the arts are adapting to COVID-19

April 16, 2021 You are here: Home / World Economic Forum / Heading back to the cinema, theatre or a concert? Here are 3 ways the arts are adapting to COVID-19 Heading back to the cinema, theatre or a concert? Here are 3 ways the arts are adapting to COVID-19 (Credit: Unsplash) This article is brought to you thanks to the collaboration of The European Sting with the World Economic Forum. Author: Katharine Rooney, Senior Writer, Formative Content Around the world, the arts industry is adapting to the challenges of COVID-19. Masks, testing and temperature checks will be required. Some countries are using a COVID passport for entry.

Gustavo Dudamel, Superstar Conductor, Is to Lead Paris Opera

Gustavo Dudamel, Superstar Conductor, Is to Lead Paris Opera In a coup, the venerable company has hired as its next music director the rare classical artist to have crossed into pop-culture celebrity. Gustavo Dudamel rehearsing for his debut at the Metropolitan Opera in 2018. He has dipped his toe in the operatic repertory but is better known as a symphonic conductor.Credit.Vincent Tullo for The New York Times When Alexander Neef was named the next director of the mighty Paris Opera in 2019, he did not have a particular candidate in mind to succeed the company’s music director, who was leaving after a decade. “I felt I should consult with the musicians,” Neef said by phone recently, “and see who for them, what for them, how for them the future looked like.”

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