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February 17, 2021 | 12:04 am Advertisement
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NATIONAL Arts Month kicked off via Facebook Live last Monday with a glimpse of the glittering lobby of the Metropolitan Theater, newly restored and awaiting its reopening in April. The program announced dances and films, theater programs, lectures, talks, and more that will be held throughout the rest of February and March, mostly online because of the ongoing COVID-19 pandemic.
The annual celebration of National Arts Month started with the signing of Presidential Proclamation 683, in 1991, declaring February as National Arts Month. Over the years, the National Commission for Culture and the Arts (NCCA), as well as other government agencies and private organizations, has been organizing events and activities to highlight the artistic brilliance of the Filipinos.
CALOOCAN CITY, Feb. 14 (PIA) Mayor Francisco Isko Moreno Domagoso has welcomed the initiative to revive the sister-city agreement between Manila and Moscow, the capital of Russia and its largest city.
Domagoso issued the remark during a meeting with Ambassador of Russian Federation to the Philippines Marat Pavlov. The latter paid a courtesy call on the Manila City Mayor on Thursday, February 11.
The Mayor said the agreement will able to help boost the tourism, culture, arts and investments in the nation’s capital.
“This is good for us, for the tourism, arts, culture, investment. I’ll be happy to sign and exchange things and we always welcome things that we can learn and duplicate as what we are trying to do nowadays,” Domagoso said.
Dr. Florangel Rosario Braid
While going over activities being planned for the forthcoming Philippine Quincentennial, I suddenly recalled an observation made during the Globalization Lecture series held 20 years after James Fallows wrote his essay, “A Damaged Culture.” It stated: “The Philippines is just going around in circles while other countries have progressed. What is innate in Filipino culture that keeps development slow and the gap between extreme rich and extreme poor wide?”
The quincentennial celebrates the achievement of science, our part in the circumnavigation of the world for the first time, and the 500th anniversary of the Victory at Mactan and 500 years of Christianity.
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In the early 1980s, Dario Argento, the famed horror maestro responsible for such classics as
Suspiria and
Deep Red, branched out from directing into producing, shepherding the work of his fellow filmmakers to the screen – among them Lamberto Bava (
Delirium, A Blade in the Dark), son of the legendary Mario Bava. Together, they crafted two tales of terror that would become synonymous with Italian Eighties horror, in which the veil between the real world and the silver screen is torn asunder.