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Time for Three returns to Indianapolis at historic Madam Walker Theatre

Time for Three (TF3) is a high energy group featuring Nick Kendall and Charles Yang on violin, and Ranaan Meyer on double bass. “Together they blend several Western musical styles from Americana to modern pop, from classical to bluegrass,” said Zack French, International Violin Competition of Indianapolis (IVCI) director of communications and artist advancement. “Their unique blend of instrumentation and vocals have captivated Indianapolis audiences since their first appearance with the Indianapolis Symphony Orchestra.” With TF3 in the spotlight, the International Violin Competition of Indianapolis will continue its 2020-2021 Laureate Series on April 8, at 7:30 p.m., with a new performance delivery format that includes in-person performance at the Madam Walker Theatre, and an online option. 

Florida State University professor, poet David Kirby speaks at Georgia Southern

The Georgia Poetry Circuit and Georgia Southern University s Department of Writing and Linguistics are presenting a Zoom Q&A and reading with poet David Kirby. Kirby is the author of over two dozen books that range from poetry collections, children’s stories, criticism, and music biographies. His poetry collection The Ha Ha (2003) was nominated for the Griffin Poetry Prize and The House on Boulevard Street: New and Selected Poems (2007) was a finalist for the National Book Award and winner of the Florida Book Award. Kirby has also won several Pushcart Prizes, the Guy Owen Prize, the Kay Deeter Award, the James Dickey Prize, the Brittingham Prize, and the Millennium Cultural Recognition Award, and his work appears regularly in poetry anthologizes including Best American Poetry. He has also received fellowships from the Guggenheim Foundation, the National Endowment for the Arts.

Juilliard Must Modernize, or It Will Disappear

Rolling Stone Juilliard Must Modernize, or It Will Disappear A Juilliard-trained violinist argues that more innovative education at music conservatories could reverse classical music’s decline in the face of pop culture By Getty Images “Who the hell is Bruce Springsteen?” I thought. Dashing out the stage door of a late-night Broadway show to beat the blundering crowds back in 2019, violin case in hand, I stepped onto the uptown C train for a swift escape out of midtown Manhattan. As I scrolled mindlessly through email, a message caught my attention: My colleague was requesting musicians to record with Bruce Springsteen later to be disclosed as a live album recording of

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