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In Our Headphones: Madlib, Navy Blue, Duval Timothy, YANNA, TSHA, Sibusile Xaba
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In Our Headphones: Madlib, Navy Blue, Duval Timothy, YANNA, Jazmine Sullivan, Sibusile Xaba
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On his collaborative album with Four Tetâs Kieran Hebden, the producer, multi-instrumentalist, DJ, and archivist remains masterful by simply turning what he hears into something new and revelatory.
Listening to music can be a way of making it. Few artists understand this better than Madlib. Across dozens of releases and nearly as many alter egos, the West Coast hip-hop producer, DJ, multi-instrumentalist, and de facto archivist born Otis Jackson Jr. has worked chiefly by flipping cherished records from his collection, inviting audiences to hear what he hears: the unique emotional texture of
this particular vocal line, a saxophone solo distilled to its most elegant single bar. Madlib places these moments at the center of our attention, stuttering and alive, their significance impossible to ignore for those of us who might miss it otherwise. Cue up one of his beats side-by-side with its source material and you may be surprised at the similarity. But such an a
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Sometimes, rumors are all we have to go by. The one about a new Madlib record,
Sound Ancestors, started in late October: The British producer Kieran Hebden, better known as Four Tet, who s spent the last few months of quarantine releasing new music and excavating old tapes as part of audio-visual mixes on his YouTube page, mentioned that he and Madlib, the Los Angeles beatmaker born Otis Jackson, Jr., had been working on an album together. Confirmations of Madlib recording projects are as storied as his actual and prodigious output, often without bearing the fruit of actual music. To wit: word of his collaboration with drummer Karriem Riggins had been floating through message boards for nearly a decade before the album,