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Stefanik knocks Albany newspaper over childless characterization

The Times Union published a fictional blog post titled “Storytime with Elise Stefanik” on Sunday meant to satirically mock the congresswoman, written as though she were reading to a group of children. “I myself am childless because I am a rising star in the Republican Party, and family planning is possible by way of the contraception paid for by my excellent taxpayer-provided healthcare plan,” reads one line in the highly critical piece written by Peter Marino and Lale Davidson. ADVERTISEMENT Stefanik and her husband, Matt Manda, released a statement on Tuesday demanding the post be taken down. “As a young married couple, we have developed a thick skin over many years as we have become accustomed to repeated sexist smears in media coverage. However the Times Union’s decision to publish an article that mocked us as childless is a new low and is truly heinous and wildly inappropriate,” they wrote.

Molson Coors and HEXO Introduce First U S CBD Drink

Author Bio Rich has been a Fool since 1998 and writing for the site since 2004. After 20 years of patrolling the mean streets of suburbia, he hung up his badge and gun to take up a pen full time. Having made the streets safe for Truth, Justice, and Krispy Kreme donuts, he now patrols the markets looking for companies he can lock up as long-term holdings in a portfolio. His coverage reflects his passion for motorcycles, booze, and guns (though typically not all exercised at the same time), but his writing also covers the broader sectors of consumer goods, technology, and industrials. So follow along as he tries to break down complex topics to make them more understandable and useful to the average investor.

Sweeping metal ribbon enfolds Suzhou Bay Cultural Center in China

A ribbon of steel and aluminium winds around the Suzhou Bay Cultural Center, which French architect Christian de Portzamparc has completed on the shore of Lake Tai in China. Set on an esplanade in Wujiang District in Suzhou, the centre is divided into two distinct wings that contain a mix of performance halls, educational spaces and galleries. The wings are unified by a curved, 500-metre-long metal structure, which swoops up and around them in a figure of eight and distinguishes the building from afar. Above: the cultural centre sits on the shore of Lake Tai. Top image: it is wrapped by a continuous metallic ribbon

Moses Nadel Turns Organic Materials Into Textural Wall Hangings and Home Accessories

The Unconventional Studio Crafting Bespoke Leather Accents for Top Interior Designers Moses Nadel turns organic materials into unique wall hangings and accessories. Jan 12, 2021 It can be hard to squarely categorize the work of Moses Nadel: The decorative accessories and wall hangings the creative duo makes in their Long Island studio aren t quite furniture but aren t your typical art either. Their oversized wall hangings take cues from jewelry design, but they favor plush materials like supple leather and puffy shearling. This makes sense when you consider the company s roots: Moses and Lara Nadel met almost 10 years ago, when he was working on a bespoke bag line and she was designing jewelry. We kind of came together with our roots, explains Lara.

Inside a Historic San Francisco Mansion Where Art and Design Reign Free

Believe it not, Peter Marino is an unabashed romantic. Yes, that Peter Marino: the AD100 Hall of Fame architect and designer, he of the artfully inked epidermis, shiny Harley-Davidsons and Ducatis, and black leather, biker-chic ensembles. Give the maestro a historic property  with a star-studded backstory, and he turns to putty. “You just sort of gulp,” Marino explains of projects like the sprawling 1916 San Francisco mansion that he labored on for more than three years, overhauling its nearly two dozen rooms for effervescent East Coast transplants with three teenagers, two French bulldogs, and a passion for pedigreed real estate. The husband and wife also possessed phenomenal sangfroid, accepting with barely a blink the seismic requirements that demanded gutting the house and driving concrete pilings 30 feet into the ground. “It was a Herculean task,” Marino continues. “There was no roof, the exterior walls were under boarding, and there were no floor slabs. It all look

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