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Newlyn Art Gallery & The Exchange, opening date
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Classical Notes: Regional singer up for Grammy on first recording
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Youthful radiance and earnest sincerity characterize the singing of tenor Brian Giebler, a Syracuse native, in his first solo recording “A Lad’s Love,” which is up for a Grammy Award on Sunday. If there were more tenors with voices as clear, weightless and inviting then maybe song recitals wouldn’t be such a rarity.
Besides the polished performances by Giebler and pianist Steven McGhee, what also makes the recent disc from Bridge Records so beguiling is the intertwined thematic strands that unite the repertoire. The selections are songs composed by five British men who lived during the first half of the last century. Among them, Benjamin Britten is the best known and also the youngest.
5 Minutes That Will Make You Love Tenors
Rufus Wainwright, Josh Groban, Andrea Bocelli and others choose opera’s most passionate, golden voices.
Credit.Angie Wang
March 3, 2021
Now we want to convince those curious friends to love the passionate, ringing tenor voice. We hope you find lots here to discover and enjoy; leave your choices in the comments.
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Rufus Wainwright, composer and songwriter
My dad, Loudon, has never much liked opera. But when I was 13, the opera bug struck me hard, and I’m pretty sure that in an effort to better understand what I was going through, he bought a Luciano Pavarotti CD. One of the tracks was a thrilling version of “Di rigori armato seno” from Strauss’s “Der Rosenkavalier,” and I became entranced with the aria. Pavarotti’s rendition also connects me to a later, magnificent experience when, during a performance of “Rosenkavalier” I was attending at the Metropolitan Opera, Luciano magically appeared without billing
The Great British Art Tour: Britten, Pears and a missing arm
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Last modified on Mon 22 Feb 2021 00.21 EST
Though most closely associated with the works of Benjamin Britten, the conductor Steuart Bedford, who has died aged 81 after complications from Parkinson’s disease, was able to turn his professionalism and interpretative talents to great advantage in a range of other repertory too. The operas of Mozart elicited from him an authoritative response over a number of years at Garsington Opera while it was based in Oxfordshire.
Having launched his professional career with The Beggar’s Opera at Sadler’s Wells theatre in 1967, he went on to conduct his own edition of Monteverdi’s L’Incoronazione di Poppea at the Royal Academy of Music (1969), following that with the first modern British performances of Donizetti’s Belisario, also at the RAM (1972). During the years of Britten’s final illness in the early 1970s, Bedford came to the fore as a reliable and insightful interpreter of his works. Having already assisted on the 1966 Decca re
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