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(Kabul Fire Records) The Afghan-born producer skilfully explores his heritage with an unruly collage of vocal samples blended with diasporic sounds Sounds of migration … Farhot. Photograph: Carlos Fernández Laser Sounds of migration … Farhot. Photograph: Carlos Fernández Laser Fri 8 Jan 2021 03.00 EST For producer Farhot, the cut-and-paste method of sampling in hip-hop serves as an apt symbol for the assembly of his immigrant identity – he sought asylum in Germany from his native Afghanistan in the 1980s and has not returned since. He first made his name with productions for the likes of Talib Kweli, Isaiah Rashad and Nneka that echoed the melodically driven US rap of the early 2000s and particularly the work of DJ Premier and Pete Rock. His first solo release, Kabul Fire Vol 1 (2013), was a scattershot mixtape homage to his childhood home, weaving in dub influences, rattling drum machine loops, Afghani folk samples and features from Kano, Ms Dynamite and T

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