Minnesota artists gear up for pandemic comeback: I will not take you for granted
Performers are beginning to book gigs and banter with audiences again. But they ve used the break to rethink what they do and why they do it. April 30, 2021 10:47am
Annie Mack adjusted the microphone Sunday at the Parkway Theater in Minneapolis, her hands shaking. It had been a year since her last sound check, her last show.
A loud pop burst through the speakers. Well, it is my first time, Mack said, smiling at the sound engineer. It really is.
After a year of lost gigs and living-room livestreams, performers are preparing for a cautious return to stages with rehearsal bubbles and backstage masks and distanced seating.
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Leo Kottke
Snorkel
Too Fast
Even His Feet Look Sad
Leo Kottke was initially inspired by fellow southern blues and country masters such as Mississippi John Hurt, Chet Atkins, and Roy Clark. As a young artist, Leo Kottke recorded for John Fahey s legendary Takoma label garn.
more »ering sometimes unfair comparisons to that gentle giant of guitar hoo-doo. Subsequently, pickers from Ry Cooder to Jim O Rourke have been influenced by the work of these elder brothers who laid the groundwork for the atmospheric, improvisational noodling that s sometimes called chamber-folk. Following along these lines, Kottke displays his heritage proudly on the simple yet remarkably nimble One Guitar, No Vocals. Three Quarter North is a bluesy, deliciously sloppy waltz interspersed with broken bits of phrasing like the easy, mumbled drawl of front-porch conversation, while the album s longest piece, Accordian Bells, rises and falls, tinkles and plays like tiny tip-toe dancing. Paige La G
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