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Weston Art Gallery Presents Social Recession

Weston Art Gallery Presents Social Recession In addition to ceramics, the exhibition includes photography, video, and wall graphics contributed by 43 artists from across the Unites States and Canada.by BWW News Desk The Cincinnati Arts Association s Alice F. and Harris K. Weston Art Gallery in the Aronoff Center for the Arts will present Social Recession through April 24 - a group exhibition of ceramic art presented in conjunction with Rivers, Reflections, Reinventions, the National Council on Education for the Ceramic Arts (NCECA) 55th annual conference. For the first time, the conference is being presented virtually from March 17-20, 2021 (more information at www.nceca.net). In organizing the exhibition, Curator Shannon R. Stratton, Executive Director at Ox-Bow School of Art and Artists Residency (Saugatuck, MI), chose to address the impact of the COVID-19 pandemic on social interaction.

Ludovic Geilich Takes Down GGPoker Super High Roller ($635,080)

reflects a heads-up deal Gelich went into the final table as the chip leader and guaranteed at least $77,480 for his efforts. That min-cash improved when India’s “level29” busted at the hands of David Coleman. Coleman then ran his pocket sevens into Geilich’s aces to bust in eighth-place and increase Geilich’s lead. Finnish superstar Sami Kelopuro three-bet all-in with ace-queen after “hashtag fold” had opened the betting with what turned out to be pocket queens. hashtag fold hastag called and Kelopuro headed for the showers. Geilich resumed the role of executioner when he dispatched reigning Super MILLION$ champion

Conductor David Hoose turns toward the next movement

Conductor David Hoose turns toward the next movement By Jeremy Eichler Globe Staff,Updated February 18, 2021, 9:00 a.m. Email to a Friend David Hoose believes that, on its face, choral music can be difficult to love. It’s an unexpected sentiment from the conductor of Cantata Singers, one of the city’s most treasured ensembles, but Hoose has his reasons: The sound of a chorus doesn’t have as much coloristic glamour or layered complexity as the sound of an orchestra; at a choral concert, there is nothing to watch — no bows dancing in unison or percussion vividly struck; there are none of the dramatic plots or the costumes found in opera; and in many choral works, you can’t even understand the words well enough to appreciate the subtlety of their relationship to the music.

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