Ernesto Londoño, Manuela Andreoni and Letícia Casado, The New York Times
Published: 15 Dec 2020 05:39 PM BdST
Updated: 15 Dec 2020 05:39 PM BdST Relatives and friends of Jordan Luiz Natividade attend his funeral, after closed circuit video showed two Brazilian police officers firing at Edson Arguinez Junior and Jordan Luiz Natividade on a motorcycle, whose dead bodies were later found in Belford Roxo near Rio de Janeiro, Brazil, Dec 14, 2020. REUTERS
As countries rushed their preparations to inoculate citizens against the coronavirus, Brazil, with its world-renowned immunisation programme and a robust pharmaceutical manufacturing capacity, should have been at a significant advantage. );
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But political infighting, haphazard planning and a nascent anti-vaccine movement have left the nation, which has suffered the pandemic’s second-largest death toll, without a clear vaccination program. Its citizens now have no sense of when they may get relief from a virus that has b
‘Playing with lives’: Brazil’s COVID vaccine plan is mired in chaos
Political infighting, haphazard planning and a nascent anti-vaccine movement have left Brazil, which has suffered the pandemic’s second-largest death toll, without a clear vaccination program December 15, 2020 11:28:21 am
FILE A woman participates in a trial in São Paulo for the CoronaVac vaccine, developed by the Chinese company Sinovac Biotech, on Saturday, Dec. 12, 2020. (Victor Moriyama/The New York Times)
Written by Ernesto Londoño, Manuela Andreoni and Letícia Casado (Ernesto Londoño and Manuela Andreoni reported from Rio de Janeiro, and Letícia Casado from Brasília.)
LIKE explores the experiences and relationships of migrant workers in Oman. But rather than focusing on the defining public image of poor working conditions, photographer Ryan Debolski depicts men finding agency and connection to the landscape of the beach and companionship in each other they are as playful as they are introspective. A running dialogue of conversations via text message weaves together details of infrastructure and landscape and highlights the men’s digital communications with one another.
LIKE refuses to dehumanize or mystify the laborer, and an accompanying essay by Jason Koxvold, “Raw Material: Capital and Exploitation at the Neoliberal Frontier