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Way beyond Hadestown: the windswept rush of folk musicals Harry Harris In 2011, I watched a flock of British folk luminaries, led by US singer-songwriter Anaïs Mitchell, perform Mitchell’s folk opera Hadestown at London’s Union Chapel. Ten years on, Hadestown has been a hit at the National Theatre and on Broadway and has led the way for an increasing number of songwriters to merge folk and musical theatre. “Hadestown was inspiring to quite a lot of us,” says Maz O’Connor, who is among the singer-songwriters to make that leap. “It showed that you don’t have to identify as a music-theatre composer, you can just be a songwriter and work in a longer form. It made me realise I might already have the tools to do it.”

Glasgow cityUnited kingdomUnited statesUnion chapelCity ofPentland firthOrkney islandsMaz oconnorJustin vernonGuardian amber grayAni difrancoFinn andersonMorag currieGuardian karine polwartKarine polwartMichael cleary