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All the new movies and early theater releases you can watch at home right now

All the new movies and early theater releases you can watch at home right now
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Movie review: I m Your Woman | Diversions

Most gangster movies make audience members accessories after the fact. The viewer stands witness to a string of crimes committed by the film’s primary character, whether it’s the head honcho — such as Vito Corleone in “The Godfather” — or some ambitious underling who is eager to make his bones and move up in the ranks. The viewer, in fact, often sees more than the supporting actors, since most gangsters keep their family members in the dark about their criminal enterprises — at least, according to Hollywood. That motif is best illustrated in the final scene of “The Godfather” when Michael Corleone, having lied to his wife Kay about his involvement in his brother-in-law’s death, is surrounded by his three capos, each showing their loyalty by kissing his hand — and the door to his room slowly closes, leaving Kay standing alone in the hallway. Her eyes reflect her silent epiphany: She knows the truth, but she must act as though she

The Expanse Season 5, Episodes 1-3 Review: the Roci crew splits while the Belters rise up

0Shares The Expanse just dropped its first three episodes of season 5 early this week. Next week, they’re back on a weekly release. “Exodus,” “Churn,” and “Mother” separates our core group for the first time across their storylines, and it looks like it might stay that way for a while.  Perhaps the most interesting journey is Naomi’s (Dominique Tipper). After a brief scene with Holden on Tycho Station, she departs to meet up with her son, Filip (Jasai Chase Owens), in an effort to get him away from his father, whose movement against people not of the Belt will one day get him killed. However, Naomi doesn’t seem to be aware of just how deep Filip is in. The opening sequence of the season shows Filip and his group board a science vessel, stealing their research, and executing everyone on board. 

In female-led I m Your Woman, Julia Hart flips the 70s crime genre on its head | Movies

Five years ago, while she watched and rewatched 1970s and ‘80s crime genre classics, certain scenes lingered with filmmaker Julia Hart: the moment the study doors close on Diane Keaton’s Kay in “The Godfather,” shutting her out of her husband’s inner circle; how Tuesday Weld’s Jessie is abruptly shuffled into a car in the dead of night and sent away from the action, an infant in her arms, in “Thief.” Female characters in movies like these often exist in service to a male protagonist’s story – when they aren’t pushed out of the narrative completely. (Or rendered mostly silent, as in Martin Scorsese’s more recent “The Irishman.”) Devouring these films with her husband, co-writer and producer Jordan Horowitz, shortly after the birth of their first child, Hart wondered about the women left to the margins of the stories on-screen.

In female-led I m Your Woman, Julia Hart flips the 70s crime genre on its head | Arts & Entertainment

In female-led I m Your Woman, Julia Hart flips the 70s crime genre on its head | Arts & Entertainment
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