The French Dispatch First Reviews: The Most Wes Anderson Movie Ever, and It s Fantastic
Critics say the eclectic director s singular style shines through in a sumptuous, visually splendid anthology film that warrants repeat viewings to appreciate all the details.
The latest from Wes Anderson is unmistakably his, but it’s also something more. The writer/director’s tenth feature,
The French Dispatch, premiered this week at the Cannes Film Festival, and the first reviews dispatched from the French Riviera are celebrating its mix of the familiar and the fresh. If you’re a fan of Anderson’s work, you won’t be disappointed. If you’re not partial to his quirks and constructs, you may still find something to appreciate in this anthology of stories that plays like a cinematic representation of an old issue of a literary magazine.
Persona 5 Taught Me How To Be A Friend
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The French Dispatch review: love letter to journalism
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The Story of a Three Day Pass All events are subject to change due to weather or other concerns. Please check with the venue or organization to ensure an event is taking place as scheduled.
Photo courtesy of Houston Cinema Arts Society Houston Cinema Arts Society and MFAH Virtual Cinemas will present a week long virtual run of Melvin Van Peebles s classic directorial debut,
The Story of a Three Day Pass. Van Peebles’ edgy, angsty, romantic first feature could never have been made in America. Unable to break into a segregated Hollywood, Van Peebles decamped to France, taught himself the language, and wrote a number of books in French, one of which,