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Uwaga, pasażerowie linii jadących na Franowo: 13 lutego zmiana rozkładów jazdy
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Wstrzymano demontaż iluminacji świątecznej w Poznaniu
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Notes on a crisis: One lockdown was an interruption. A year on, it feels like a transformation I hate to think what it’s like to be young, to have a talent and a purpose, and not to be able to put them to use. We mourn friends, but we should also mourn waste. I caught Covid-19 last year on Monday 16 March. By coincidence, that was the very day when the British government abandoned its idle flirtation with herd immunity, and set off towards lockdown. Too late for me. A subsequent 17 days in bed took me as low as I’ve ever been, but my recovery period was serene. I lay out in the garden reading, while drifting in and out of sleep and relishing a particularly beautiful spring. I did nothing. My body healed itself.
Culture in the age of Trump: His legacy in theatre, art and film
Tomorrow marks the inauspicious end to one of the most divisive and controversial Presidencies in American history. Trump’s four-year legacy includes a partially-built wall, the dismantling of decades worth of environmental legislation, and a record-setting second impeachment. But he also had a huge influence over the world of art and culture, with creators across the world responding to his unique brand of populist politics.
With its relatively nimble production schedule, theatre writers and directors were among the first to examine the Trump years, especially through the timeless prism of Shakespeare.
5 January 2021 • 5:31pm
2020 was terrible, but the worst may be yet to come: the West End s closed Lyric Theatre
Credit: Henry Nicholls/Reuters
So the theatre industry is gritting its teeth once again. As we plunge once more into national lockdown, an anonymous theatre producer confided to me: “It feels like we’ve gone back from recovery mode to survival mode”.
Certainly the implications of the virus variant(s) and questions about vaccine roll-out are enough to daunt even the most battle-hardened in the industry which has been more or less shut down since London was plunged into tier 3 in mid-December. I asked several leading players about a timeline in terms of reopening, first with social distancing then the holy grail of reverting to the norm of this time last year. “We are as in the dark as everybody now,” confesses Julian Bird, chief executive of SOLT (the Society of London Theatre) and UK Theatre (the key body for regional playhouses).
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