Nova Lituania by Karolis Kaupinis photo: Square Eyes
VILNIUS: The Coronavirus pandemic was challenging for the Lithuanian film industry as limitations were imposed upon all culture and film events in the whole country.
Still, Lithuanian films of all kinds (feature, documentary, animated and short films) had their world premieres at internationally acclaimed festivals, including Cannes, Karlovy Vary, Leipzig, Venice, San Sebastian, Warsaw, DOC NYC, Tallinn, with the support from the Lithuanian Film Centre.
Total production expenses in Lithuania were 37,911,134 EUR, making 2020 the most profitable year for the tax incentive scheme since its launch. Lithuania saw the infection rate increase over October and November, but film production didn t come to a standstill and international projects arrived from Finland, Norway, Sweden, the UK and France starting August 2020. They include Netfix’s crime drama series
Seniorentreff auf Youtube: Grenchen soll eine digitale Hauptstadt für Senioren werden
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Ola Onabulé livestreams with Sennheiser
Wednesday, 20 January 2021
Nick Meier (guitar), Ola Onabulé (vocals), Duncan Eagles (saxophone), Chris Nickolls (Drums) and Jakub Cywinski (Double Bass)
UK - A recording studio veteran and ardent user of Sennheiser and Neumann microphones, Ola Onabulé has been streaming regular live music performances from his home studio close to London for the past few months. With a career in music recording of over two decades, and having performed at some of world’s most prestigious jazz festivals and concert halls, Onabulé’s name is synonymous with jazz excellence and his deep passion for music technology. When the pandemic started, Onabulé’s first reaction was consternation. “I’d evolved a culture of doing gigs internationally over many years. Most of my shows involved getting on a plane and going to a foreign country where I’d stay for a few days before moving on to the next destination. The pandemic created complete and absolute
Daniel Dylan Wray
, January 11th, 2021 09:39
It seems odd to argue that a member of one of the most celebrated rock bands of all time, the Velvet Underground, is under-appreciated, says Daniel Dylan Wray in this subscriber only essay, until you consider just how absent he is from conversations about popular music
Author portraits by Natasha Bright
People have some very strongly held beliefs about the roles of John Cale and Lou Reed. A few years ago, when interviewing Cabaret Voltaire’s Richard H Kirk, I lightheartedly made a Reed/Cale comparison between him and ex-Cabs member Stephen Mallinder due to their fractious yet potent creative relationship. It was met with a stern look, a furrowed brow and the reply, “Well it depends who’s who.” It turned out the idea of being painted as Cale in that partnership was deeply offensive, and of course Kirk would be Reed in any such scenario.
Passenger s 13th Album Goes Out to His Fellow Broken Hearts
By Tom Lanham | January 8, 2021 | 10:55am
Photo by Mila Austin
Sometimes an album turns out to be exactly what it promised it was in its title. Like
Songs For the Drunk and Broken Hearted, for instance, the latest and 13th overall effort from Passenger, the folk-pop persona of former British street busker Mike Rosenberg. It details a recent real-life breakup the Brighton-based singer endured after a three-and-a-half-year romance, starting with a letter-to-his-ex opener “Sword From the Stone” and wending its lyrically-somnolent-but-musically-upbeat way through “Tip of My Tongue” (“If I would’ve known what I know today/ I would’ve lived my life like a smoking gun”), “Remember to Forget” (in which he reminds future suitors that he’s a “heavy drinker and a chain smoker”), a Saw Doctors-sprightly “A Song For the Drunk and Broken Hearted,” and the closing “London in the Spring” (“I�
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