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Samuel Coleridge-Taylor, ca. 1905, photographer unknown (Public domain)
The name Samuel Coleridge-Taylor (1875-1912) often appears on lists of African-descended composers, but in truth I don’t know that I’d ever heard any of his compositions, certainly not in live performance. Have you, Reader?
A new CD has just appeared from Azica Records called
UNCOVERED Volume 1 that is entirely dedicated to his music, and at 79 minutes’ duration, it’s a generous sampling. It contains three early works for string quartet,
Fantasiestücke (Fantasy Pieces) op. 5 from 1895, and two quintets: one in G minor with the quartet and piano, op. 1 from 1893, and the other in F sharp minor with clarinet, op. 10 from 1906.
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Exhibition explores the creative expression seen in Meiji-era prints
Kobayashi Kiyochika (1847-1915), Night Patrol in the Snow near Niu-chuang, 1894, woodblock printed triptych 14 1/8 by 27 5/8 in., 35.8 by 70.3 cm.
NEW YORK, NY
.-Scholten Japanese Art is presenting, On The Vanguard: Meiji Period Woodblock Prints, a two-part exhibition, with thirty prints in each section, exploring the creative expression seen in Meiji-era prints and the acceptance of new cultural ideas in the Japanese populace at large during this dynamic period in the late 19th and early 20th century. Delineated by the reign of Emperor Meiji (1852-1912; reign 1868-1912), it was an era of rapid modernization as Japan remade itself as a nation, both figuratively, as it transformed from a feudal society based on samurai culture. Drawing on Western models, the old social classes were abolished, the army was reformed, a navy was created, and industries adopted emerging modern technologies. In the artistic communi
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