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What I Buy and Why: Real Estate Developer Bob Rennie on Collecting Performance and Installing Extremely Clever Bathroom Art

The real estate tycoon tells us all about his personal treasure trove. May 10, 2021 Bob Rennie stands on the rooftop of his Vancouver office building in the Chinatown district August 7, 2012. ©2012 Jeff Vinnick Images. Vancouver-based art collector and real estate mogul Bob Rennie, who showcases his extensive contemporary art collection at the eponymous Rennie Museum, has a collection most art lovers would kill for (okay, maybe not  kill, but… maim?). Rennie, whose real-estate business earned him the nickname “Condo king,” serves on the boards of the Tate Americas Foundation and the Art Institute of Chicago. Below, he dishes on his most prized possessions, what it was like to negotiate with artist Charline von Heyl, and the most impractical works in his collection.

The Maker s Hand - The Magazine Antiques

The Maker’s Hand Wire, silk, fabric, safety pins, and synthetic and natural threads; 72 by 99 inches. © Consuelo Jimenez Underwood; photograph by Michael Tropea, courtesy of the artist. Picture an American artisan in your mind’s eye. What do you see? Here’s a guess: a sturdy fellow of middle age, likely white, tools in hand, wearing a leather apron. He works alone, or maybe with an apprentice or two. And he is long dead. Fig. 2 Soundsuit by Nick Cave (1959–), 2009. Fabric with appliquéd crochet and buttons, knitted yarn, and metal armature; height 97, width 26, depth 20 inches. Crystal Bridges Museum of American Art, Bentonville, Arkansas; photograph by James Prinz, courtesy of Jack Shainman Gallery, New York.

30 Black Women Trailblazing Visual Representation and Racial Justice

30 Black Women Trailblazing Visual Representation and Racial Justice
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6 Art Gallery Shows to See Right Now

6 Art Gallery Shows to See Right Now Gerald Jackson’s collages; Precious Okoyomon’s reimagined ecosystem; Damien Davis’s sculptures; Beverly Buchanan’s “shacks”; and more. Daisy May Sheff’s “Stiff and Tawny Wavelets,” from 2021, at White Columns.Credit.Daisy May Sheff April 28, 2021 Through May 15. White Columns, 91 Horatio Street, Manhattan, (212) 924-4212, whitecolumns.org. In its pairings of large and small shows, White Columns has come up with some extraordinary combinations, but its present one is especially excellent. The larger exhibition reintroduces the veteran artist and poet Gerald Jackson, now in his mid-80s, whose work was fearlessly multimedia long before it became the thing to do. The smaller show, “A Mountain Girl With Skyblue Teeth,” is the New York debut of a young painter, Daisy May Sheff, whose layered fantasies exude an overheated Fauvism of oranges, pinks, purples and greens populated by eccentric personages all in a style best descr

Seven Art Exhibits You Need to See in Metro Phoenix This Spring

The exhibit lineup at local museums is looking good this spring. One explores gender fluidity in fashion, while another looks at lives lost along the U.S.-Mexico border. One artist considers the Black body, as another addresses lowrider culture. Here’s a look at some of our favorites exhibits this season, including several that feature local artists. Body/Magic: Liz Cohen ASU Art Museum January 16 to May 29 Photographer Liz Cohen, a 2020 Guggenheim fellow and faculty member at ASU School of Art, explores issues of personal and cultural identity in this exhibit at ASU Art Museum. The artist assumes various roles in lowrider culture, including builder and bikini model, to challenge prevailing narratives about femininity and prompt conversations about “immigration, nonconformity, and resistance.” The exhibit includes the lowrider car Cohen built as part of her seminal “Body/Work” series.

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