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Stories of Resistance explores forms of resistance across the world

Stories of Resistance explores forms of resistance across the world Guadalupe Maravilla. Disease Thrower #4, 2019. Mixed media. Courtesy of the artist and P·P·O·W, New York. ST. LOUIS, MO .-The Contemporary Art Museum St. Louis presents Stories of Resistance, a major group exhibition that explores artistic forms of resistance from across the world. Through visual narratives, the artists amplify and bring to focus the multitude of conditions that ignite and inspire people to resist. Resistance emerges from both within and outside of governmental, corporate, or institutional structures and systems of power. It takes shape in labor movements, protests, and in speaking out about injustice. Resistance is as loud as shouts, drums, and mass marches in the streets, and as quiet as hands sifting through archives, recovering and rewriting histories that had been erased. Stories of Resistance is on view from March 12 through August 15, 2021.

A Safety Guide for Artists

A Safety Guide for Artists 6 minute read Demonstrators hold up their guitars after performing the song “El derecho de vivir en paz’ (“The right to live in peace”) by the late musician Victor Jara, during a protest in Santiago, Chile, 25 October 2019, PABLO VERA/AFP via Getty Images A Safety Guide for Artists explores topics such as defining and understanding risk, preparing for threats, fortifying digital safety, documenting persecution, finding assistance, and recovering from trauma. This statement was originally published on artistsatriskconnection.org on 26 January 2021. When an artist first faces risk, there are not a lot of roadmaps: the experience can be incredibly isolating and disorienting. A Safety Guide for Artists explores topics such as defining and understanding risk, preparing for threats, fortifying digital safety, documenting persecution, finding assistance, and recovering from trauma.

Franklin Furnace Fund

2020 is the 35th anniversary of the Franklin Furnace Fund. Initiated in 1985 with the support of Jerome Foundation, Franklin Furnace has annually awarded grants to early career artists selected by peer panel review to enable them to produce major performance art works in New York. In the spring of 2008, Franklin Furnace combined the Franklin Furnace Fund for Performance Art

Art Industry News: Curators Assess the Damage to Art in the US Capitol After This Week s Pro-Trump Mob + Other Stories

Plus, Damien Hirst puts his art on ice in Switzerland and technology is revolutionizing art authentication. January 8, 2021 Supporters of US President Donald Trump sit inside the office of US Speaker of the House Nancy Pelosi as the protest inside the US Capitol in Washington, DC, January 6, 2021. Photo by Saul Loeb/AFP via Getty Images. Art Industry News is a daily digest of the most consequential developments coming out of the art world and art market. Here’s what you need to know on this Friday, January 8. NEED-TO-READ Artists React to the Riots in DC – Artists including Dread Scott, Glenn Ligon, and Marilyn Minter were among the many public figures condemning the pro-Trump rioters who stormed the US Capitol on Wednesday afternoon. Photographs from inside the august building showed chaos and destruction with nary an arrest in view, and many artists compared the surreal images to those at Black Lives Matter protests, where peaceful demonstrators were often maced, kettled,

Death row inmate designs garden installation by instructing university students through letters

Timothy Young has sent directions for a participatory garden project entitled Solitary Garden conceived by the artist Jackie Sumell © Steve Kurtz Barring Freedom, a bi-coastal initiative organised by two American universities, aims to tackle the criminal justice system a subject that is gathering momentum in the art world with an exhibition, a participatory art project, an educational website and virtual events featuring political and social justice activists. The idea for an arts-led project “began around four years ago after the first Black Lives Matter uprising in response to the deaths of Michael Brown and Eric Garner”, says Rachel Nelson, the director of the Institute of the Arts and Sciences at the University of California, Santa Cruz, which is collaborating with the San José Museum of Art and the John Jay College of Criminal Justice in New York.

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