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Renée Fleming to perform first live outdoor festival since lockdown with all-student Frost School Symphony Orchestra March 20 in Miami

FROST MUSIC FEST ’21 WITH SPECIAL GUEST SUPERSTAR SOPRANO RENÉE FLEMING In her first live outdoor festival appearance  since the start of the pandemic, she will

Ten of Melbourne s most exciting guitar pop bands, as told by Cool Sounds

Ten of Melbourne s most exciting guitar pop bands, as told by Cool Sounds
beat.com.au - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from beat.com.au Daily Mail and Mail on Sunday newspapers.

Emma Swift, Blake Scott, the Avalanches and others: the best Australian albums of 2020

The crowning glory is Swift’s version of I Contain Multitudes, from Dylan’s new album Rough and Rowdy Ways. “It’s a love song, and a prayer,” she said of the song. “And it’s about his life, but it’s also about what art and music and literature can mean to humanity. And to me that’s an extraordinary thing to meditate on, particularly when our social interactions are so limited.” All of the above could be said of Blonde on the Tracks itself. – Andrew Stafford The Avalanches – We Will Always Love You We Will Always Love You is a miraculous-sounding record, infatuated with the universe and the infinite nature of energy, light and – especially – sounds that echo in the void for eons. Sample-based music is inherently tactile; artists like the Avalanches pick up and tool around with old vinyl that’s traded hands before. And on this record, they’ve leaned into that tactility and the sensoriality of music, turning images into sound and back again (Star Song

Albums of the year: How ten Australian artists created their 2020 releases

Albums of the year: How ten Australian artists created their 2020 releases Words by August Billy With our liberties curtailed, our listening choices took on extra weight in 2020. Not only did we turn to music for entertainment and intrigue, but we also wanted it to transport us and provide much-needed company. For musicians, it was an often uncomfortable and disorienting year. Live performance was prohibited and live streams could very easily become an alienating experience – it’s difficult to adapt to playing to an invisible crowd accentuated by flickering thumbs-up and heart emojis. Releasing music also brought about novel challenges. After all, the act of self-promotion began to feel entirely incongruous in the midst of a global pandemic, a growing movement for Black rights and against the intensifying spectre of climate change.

2020 at the U: The year in review

By News@TheU 12-15-2020 Take a look at a month-by-month recap of the biggest stories at the University of Miami during the past year. From a pandemic that forced the migration of spring semester classes to an online environment, to a new dean for the College of Engineering, to a Super Bowl halftime performance by the Band of the Hour, to a record-breaking gift for the Sylvester Comprehensive Cancer Center, 2020 proved to be a very unusual year  for the University of Miami. January The Planet Kreyol student organization and the Office of Multicultural Student Affairs commemorate victims of the 2010 Haiti earthquake with dance, song, poetry, and more on January 15.

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