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Artist Dawoud Bey on 6 of His Photos That Pushed His Work Forward Vulture.com 2 days ago Sasha Bonét Dawoud Bey’s work is both a documentation and an excavation. The photographer is preoccupied with history and its effects on our contemporary experience, chronicling the America that resides largely in the shadows and bringing it closer to the center. Often depicting Black subjects, Bey understands that the collective aches we feel today are the remnants of yesterday’s agony, attesting to poet Audre Lorde’s verse: “And there are no new pains.” On April 17, Bey’s retrospective exhibition “An American Project” opens at the Whitney Museum of American Art, with photographs made over the nearly five decades of the native New Yorker’s career. In Bey’s 35-mm camera images, his Polaroid portraits, and his large-format landscapes, we feel both the passion and contempt that he holds for his complicated country: In a street corner filled with rubbish,

United statesNew yorkMississippi riverCambridge placeWhitney museum of american artClinton hillNew yorkerSarah jean collinsCaela cowenRoy decaravaIrving pennAdam clayton powellSasha bonAudre lordeJames baldwinDawoud bey