Seven and
Gone Girl) after years of wanting to make adult animated features and short films at his animation house, Blur Studio. “We couldn’t have been happier at the response to the show,” recalls Miller of the excitement around Volume I and fan reaction for more, according to Netflix’s press release. “It was exactly the kind of passionate reception from animation fans David and I hoped for, but for many long years had been told wouldn’t happen.”
For Volume II, Miller was joined by Jennifer Yuh Nelson (
Kung Fu Panda and
The Darkest Minds) as Supervising Director. Together, they sought talented and diverse animation directors from around the world, for a blend of styles and stories ranging from violent comedy to existential philosophy and romance. “It’s a tonal and stylistic Jenga game,” says Jennifer Yuh Nelson, “trying to figure out which director might best handle what story.”
Love Death + Robots Season 2 Trailer Arrives, Season 3 Ordered – /Film
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Firstly, I want to make it clear that I never had the privilege to attend a Reform synagogue, and that therefore I have no practical experience at all regarding this topic. So why would I write about it? Well, I considered myself to be a Reform Jew for some time, but always found myself in places where there was only an Orthodox Jewish community. Therefore the only point of contact between me and the Reform movement was through their website, and Rabbi Rick Jacobs’s podcast (On the Other Hand: Ten Minutes of Torah). However, Now that this podcast is not being updated anymore (since June 15th, 2020) because of financial problems within the organization (2020) I found myself question
We live in monstrous times. Nevertheless, I sometimes find myself wanting not to escape but to symbolically confront the plagues of cruelty, craziness, and consequences (unintended or otherwise) that the last century (or the last week) has visited upon us. Neal Asher’s confrontations tend to distance and displace the monstrous, to locate it in a future far enough away to have solved most of the problems that bedevil us now. His Polity setting, like Iain M. Banks’s Culture, imagines a material utopia where scarcity is banished and the burden of rational self-governance has been offloaded onto presumably-wiser artificial intelligences. The universe beyond the Polity remains a savage environment, though, as inter-species interstellar war and the irruption of artifacts and survivors of much more ancient conflicts make clear. And even within the bubble of Polity civilization, mankind remains potentially vile. Outside that bubble, all bets are off.