Cate Blanchett and Tyler Perry, 51, are spotted for the first time on the set of Adam McKay s star-studded disaster comedy, Don t Look Up, where they are rumored to be playing talk show hosts
What s it about? Buenos Aires, Argentina, 1971. Carlos Robledo Puch (Ferro) is a 19-year-old boy with an angelic face, but a vocational thief as well, who acts ruthlessly, without remorse. When he meets Ramón (Darín), they follow together a dark path of crime and death. This stylish biopic co-produced by Pedro and Agustin Almodóvar.
YOU MIGHT ALSO LIKE
Celebrate 30 years of Flickerfest with a special SBS on Demand collection
Look back at short films from around the world as we celebrate 30 years of Flickerfest. Now streaming at SBS on Demand.
Movies Leaving SBS On Demand: January 2021
Don t miss your chance to watch these standout movies and documentaries leaving SBS On Demand throughout January.
ミニシアター応援宣言！斎藤工ら推薦10作品をWOWOWオンデマンドで無料配信 natalie.mu - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from natalie.mu Daily Mail and Mail on Sunday newspapers.
Cate Blanchett s plans to build a gallery space for her art collection at her East Sussex home have been approved
The actor Cate Blanchett is building her own private gallery at her country estate in East Sussex, England, to house her contemporary art collection. According to the
Times newspaper, the new building in the grounds of Highwell House near Crowborough has been approved by the appropriate local councils. Blanchett bought the Victorian mansion in 2015.
Planning documents submitted to Wealden District Council dating from October 2020, show that the gallery will form part of a new building designed by Adam Richards Architects of London. The new complex, which will also include a meditation room, will replace a shed and cottage in the grounds of the property.
One of the delights of Woody Allen’s recently released memoir,
Apropos of Nothing, is its celebration (all too-brief, alas) of Tennessee Williams. “I always wanted to be Tennessee Williams,” Allen writes. “I grew up idolizing [him]. The movie of
Streetcar is for me total artistic perfection… the most perfect confluence of script, performance, and direction I’ve ever seen.”
I wanted to be Tennessee Williams, too, when I discovered his works at age 18. And I’ve been a Woody Allen fan since seeing the Jazz-age romantic fantasy
A Purple Rose of Cairo when it was released a year later, in 1985. Yet only with