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Scratches and all: Heath Ledger s treasured possession to go on display at WA Museum

Scratches and all: Heath Ledger’s treasured possession to go on display at WA Museum We’re sorry, this service is currently unavailable. Please try again later. Dismiss By Tracey Vo Save Normal text size Advertisement It has been more than a decade since the tragic death of Hollywood star Heath Ledger but his father is finding ways for his legacy to carry on in Perth, with the restoration of one of his son’s treasured motorcycles. Heath’s unique yellow Sport Classic Ducati has been off the road for 13 years and recently transported to his childhood home from Los Angeles, California, where the Oscar-winning actor resided when he wasn’t in New York.

JULIA Will Premiere at The Studio Underground at STCWA This Month

Fresh from a regional development and incredible reaction to its performance in Harvey, JULIA heads to the State Theatre Centre of WA for its world premiere season from 20 to 29 May 2021. This powerful and gripping solo dance theatre work by one of Australia s leading contemporary dancers, Natalie Allen, is co-created in partnership with and directed by Sally Richardson. As the ten-year anniversary of her iconic misogyny speech in parliament approaches, JULIA is a response to Julia Gillard s experience as Prime Minister and her legacy, to the wider culture of #metoo, and the frustration we feel as we read, see, hear and experience sexism, misogyny, discrimination, violence and marginalisation across our community.

Sally Richardson: JULIA

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DT de jüri üyesi krizi: Temaslı olduğunu gizledi, çok sayıda kişiye virüs bulaştırdı

DT de jüri üyesi krizi: Temaslı olduğunu gizledi, çok sayıda kişiye virüs bulaştırdı
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BWW Review: THE PRODUCERS at Regal Theatre

Alexandra Theatre are new to the Perth theatre scene, and in the current climate, would have been forgiven for erring on the side of caution in their first production. Instead, they chose to begin with a bang, putting on Broadway classic The Producers- with a large cast and grand sets- for an audience happy to be back at the theatre. Peter Carr may be best known for his backstage skills (he is current Head of Stage at The State Theatre Centre of Western Australia), yet he slid into the starring role of Max Bialystock effortlessly, blending the absurdity of the character with an air of believability that almost made him relatable. His experience is complemented by the youth of Matthew Arnold as Leo Bloom, who brings the audience along with him on his journey from nervous accountant to Broadway producer. The two title characters have a clear on-stage rapport, and both deliver the ridiculous parts of the show with the same energy as they do the serious. Similarly, Gabriella Munro is ev

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