With theaters starting to reopen, the movie business started looking up. From an English-language Almodóvar movie to a new cut of a years-old superhero movie, Vulture’s film critics celebrate the great cinema hits of 2021.
Hot Docs 2021: 10 must-see films according to NOW critics
Hot Docs 2021: 10 must-see films according to NOW critics
The annual documentary film fest is streaming across Canada until May 9 By Kevin Ritchie
Courtesy of Hot Docs
Baltimore director Theo Anthony uncovers a disturbing and illuminating history of camera technology in All Light, Everywhere.
The annual documentary film festival Hot Docs goes all-virtual for a second straight year, meaning you can rent most movies on-demand – across Canada – from now until May 9. With more than 200 titles to choose from, Hot Docs 2021 is as sprawling as the traditional in-person event. Fortunately, we’ve seen several docs already – here are our 10 favourites (so far).
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A dozen alleged gang on Long Island are facing charges for their roles in an extensive drug distribution operation, the District Attorney’s Office announced.
Suffolk County District Attorney Timothy D. Sini, US Immigration and Customs Enforcement’s Homeland Security Investigations (HSI), and members of the District Attorney’s Office’s East End Drug Task Force (EEDTF) recently announced the indictment of 12 men who were known to traffic crack cocaine and powder cocaine.
The investigation was first launched in July 2020 when there were allegations of 18th Street gang members and other associates trafficking drugs in the Riverhead area using undercover officers, roving surveillance, electronic surveillance, and court-authorized eavesdropping.
Four Good Days
About Endlessness Over the course of 20 years, Swedish filmmaker Roy Andersson has remained committed to his stylistic gimmick master-shot tableaux of simple situations, often building to absurdist punch lines to the point where it’s not clear what more he might have to say within this framework. Once again, his episodic scenes aren’t really connected to any overarching narrative, though a couple of characters including a minister despairing over his loss of faith do recur at various points. Mostly, however, we have moments in the lives of everyday people, here supplemented with the voice of an omniscient narrator (Jessica Louthander) whose observations at times step on whatever simple emotion might have been found in a bit like a father pausing during a downpour to tie his young daughter’s shoes, or a woman arriving at a train station to find no one waiting for her. At their best, Andersson’s meticulously constructed shots can hit their black-humored