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Hello, I’m Times music critic
Mark Swed, this week giving our irreplaceable Carolina A. Miranda a break before Christmas as we keep arts essential. I’m here just in time to point out that this week our most essential composer,
Ludwig van Beethoven unless you care to call him Louis van Beethoven, as a new German biopic does marks what would have been his 250th birthday. So Beethoven is where we’ll start.
A sculpture of Beethoven in Kamp-Lintfort, Germany.
(Martin Meissner / Associated Press)
Music for our times
In his review of the German TV film, Times contributor Robert Abele found it “elegantly tailored” but “never exactly stirring,” which sounds more Louis-like than the Ludwig we all know. I haven’t seen it because I’ve been too busy trying to catch up with all the other things Beethoven. It’s been a full plate. But then, the Beethoven plate is always full. No matter where you are, no matter what you listen to, Beethoven molecules might be in the e
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It’s a 2020 magic show moment: An audience member is trying to pick a card. Her lips are moving, but nobody can hear her.
“You have to click unmute,” the magician explains gently. “It’s the little microphone in the lower left corner of your screen.”
The now-familiar indignities of Zoom don’t faze the three hosts of “Elephant Room: Dust From the Stars,” a production commissioned by Center Theatre Group and running for only seven performances, ending Sunday.
Creators and performers Geoff Sobelle, Steve Cuiffo and Trey Lyford play the unapologetically cornball magicians Dennis Diamond, Louie Magic and Daryl Hannah, who resemble a trio of Doug Henning wannabes from the 1970s Diamond rocks the mustache, Magic the shoulder-length perm and Hannah the friendly overbite but are clearly light years ahead of the rest of us in their mastery of the maddening, glitchy, cumbersome digital world to which human interaction has lately been banished. Together, under the