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The Original Perfectionist, Dilip Kumar Can Be Compared Only To Himself

The Original Perfectionist, Dilip Kumar Can Be Compared Only To Himself
outlookindia.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from outlookindia.com Daily Mail and Mail on Sunday newspapers.

With Dilip Kumar s Passing, Hindi Cinema Loses One of Its Last Links With the Golden Era

With Dilip Kumar s Passing, Hindi Cinema Loses One of Its Last Links With the Golden Era
thewire.in - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from thewire.in Daily Mail and Mail on Sunday newspapers.

Waheeda Rehman birthday special: The face that could launch a thousand ships

Waheeda Rehman birthday special: The face that could launch a thousand ships A very expressive actress with exceptional dancing skills, Waheeda always left an ineradicable impression on the minds of the cine-goers Had Christopher Marlowe been alive today, instead of referring to Helen of Troy, he’d have referred to Waheeda Rehman and exclaimed with euphoric joy, ‘This is the face that can launch a thousand ships and aircraft!’ Jokes aside, the grace, elegance, style and acting skills converging on one individual resulted in the creation of Waheeda Rehman. In spite of being the coeval of Nargis, Meena Kumari, Madhubala, Vyjayanthimala and Nutan, there s some unexplained quality, kind of a je ne sais quoi in French, in Waheeda Rehman that differentiated her from the contemporaries. Her eternal and ineffable beauty is completely devoid of oomph and lasciviousness. A very expressive actress with exceptional dancing skills, Waheeda always left an ineradicable impression

Dilip Kumar s 98th birthday: FPJ writer recounts his rendezvous with the thespian

Dilip Kumar birthday special: FPJ writer recounts his rendezvous with the thespian Dilip Kumar is gifted with a marvellous sense of music and plays piano like a pro. He played the piano for the song Aaj ki raat mere dil ki salami le le. Yusuf sahab (Dilip Kumar, no one calls him Dilip Kumar in Pakistan) se milna filmi tawareekh ke auraaq ko palatne ki maanind hai.” (Meeting Yusuf sahab is like flipping through the pages of film history), tellingly told me a Pakistani film-journalist friend of mine, Nisar Ahmad. So very true. Having met Dilip Kumar a few times at Turf Club, Poona and interviewed him for Indian and Pakistani Urdu and Pashto dailies, I daresay, the man is an institution and a treasure-trove of cinematic as well as worldly wisdom. I first met him in 2002. I got an assignment from a Pashto daily in Peshawar to interview him. I told him in Pashto that I frequently visited Pakistan to teach Qura’an and Islamic Theology and that Persian was my mother tongue. Ha

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