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The MIT Press launches new open access collection of 34 classic architecture and urban studies titles

The MIT Press launches new open access collection of 34 classic architecture and urban studies titles An unprecedented digitization program makes out-of-print works by George L. Hersey, Richard Freedman, Mark Jarzombek, Moshe Safdie, Peter Rowe, Galen Cranz, Arthur Pulos, Gilbert Hubert, and others available as ebooks for the first time. CAMBRIDGE, MASS .- Today, the MIT Press launched MIT Press Open Architecture and Urban Studies, a robust digital collection of classic and previously out-of-print architecture and urban studies books, on their digital book platform MIT Press Direct. The collection was funded by a grant from the Andrew W. Mellon Foundation as part of the Humanities Open Book Program, which they co-sponsored with the National Endowment for the Humanities.

PAFA announces new additions to the permanent collection

PAFA announces new additions to the permanent collection Dyani White Hawk, (b. 1976), She Gives (Quiet Strength VII), 2020. Acrylic on canvas, 84 x 120 in. (213.36 x 304.8 cm.) Courtesy of the Pennsylvania Academy of the Fine Arts, Philadelphia. Museum Purchase, 2020.17. PHILADELPHIA, PA .-The Pennsylvania Academy of the Fine Arts announced its latest acquisitions of a wide range of artworks that significantly enhance its renowned American art collection. Ranging in date from 1869 to 2020, the museum acquired 168 works of art through purchase and gift. These new additions include historic, 20th century, and contemporary art in the form of paintings, sculptures, photographs, and works on paper. Works by 62 living artists have joined the permanent collection, and 98% of the acquisitions represent the 20th and 21st centuries.

Largest ever survey of Moroccan art opens at Reina Sofia Museum

Largest ever survey of Moroccan art opens at Reina Sofia Museum Installation view of Moroccan Trilogy 1950-2020. Andre Elbaz, Urnes. Museo Nacional Centro de Arte Reina Sofia. Photographic Archive of Museo Reina Sofia. MADRID .-Museo Nacional Centro de Arte Reina Sofia in Madrid presents Moroccan Trilogy 1950-2020, a sweeping survey of the culture of Morocco from the 1950s to the present day, running from 31 March - 27 September 2021, in a unique collaboration with Mathaf: Arab Museum of Modern Art – Qatar Museums and Qatar Foundation. The show features more than 250 works by 60 artists, including a series of important works from the collection of Mathaf, as well as archival material drawn from private and public collections. The exhibition also premieres or re-activates a number of works, and includes several new commissions.

Exhibition spans more than 3,500 years to offer various degrees of ventriloquized voices

Exhibition spans more than 3,500 years to offer various degrees of ventriloquized voices Installation photograph, NOT I Throwing Voices (1500 BCE-2020 CE), Los Angeles County Museum of Art, 2021, photo © Museum Associates/LACMA. LOS ANGELES, CA .-The Los Angeles County Museum of Art is presenting NOT I: Throwing Voice (1500 BCE–2020 CE), an exhibition using ventriloquism, literally and liberally, to explore the representations of sounds and voices and their disquieting capacity of refraction, synchronicity, and misdirection. Ventriloquism relies on the confusion between sight and hearing, performer and puppet, silence and speech; and confronts issues of identity, embodiment, agency, performance, and objecthood. Even the most conventional ventriloquist sketch is defined by the continuous recasting of questions on the imbricated relationship between voice, speech, identity, and authority: Where is the voice coming from? How is that voice split into many bodies? Whose voice is thi

The Museo Nacional del Prado pays tribute to its own history with a permanent installation

The Museo Nacional del Prado pays tribute to its own history with a permanent installation Image of the exhibition galleries Photo © Museo Nacional del Prado. MADRID .-The Museo del Prado opened its doors for the first time on 19 November 1819 with the name of Real Museo de Pintura y Escultura. That early museum displayed only 311 works, all of them by Spanish painters. Now, 200 years on, the Museo del Prado is considered Spain’s leading cultural institution, shared cultural patrimony of which all Spaniards are proud and a legacy of incalculable value in the history of culture. Taking the evolution of the Museum’s architecture as its guiding thread, this new installation offers a reflection on the historical and political events which transformed the initial Real Museo into the public institution of international renown which it is today. In parallel, the display shows the changes and modifications that have come about over time in terms of the Museum’s public image, its st

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