Флорестан Анатольевич или супружеская любовь, борец с ветеранами, Цицерон и Демьян Бедный, «горько жаловался Гоголь», Атос и Эфрос
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Фиделио от Ковънт гардън
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Saturday, December 12, 2020 THE prisoners at the heart of Beethoven’s only opera emerge from the stygian darkness of lockdown into bright sunlight. “Oh what joy! In the open air, freely to breathe again! The dungeon is a grave.” Their fervent chorus embodies one of the most powerful expressions of release in all music. Opera North’s concert presentation of Fidelio was intended to be staged in front of a socially distanced audience limited to 250. Unfortunately the vagaries of Tier 3 necessitated a performance behind closed doors, but thanks to the technological wizardry of livestream this is now accessible on demand. More importantly, an auspicious musical event has been captured for posterity. Surely an emotionally charged occasion for the Opera North Orchestra, Chorus and principals taking part as this would be the first time they had all performed together since early March.
Fidelio, Opera North online review - less is really more | reviews, news & interviews Fidelio, Opera North online review - less is really more
Fidelio, Opera North online review - less is really more
Adaptation leaves Beethoven s music in all its glory
by Robert BealeMonday, 14 December 2020
Space to act and interact: soloists, orchestra and chorus in Opera North s Fidelio from Leeds Town HallAll images by Richard H Smith
Adaptability is the name of the game for big companies in the music business now. And Opera North’s streamed presentation of Beethoven s
Fidelio from inside Leeds Town Hall is a prime example of just how adaptable things need to be.