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A rickshaw puller will be in the Assembly

‘A rickshaw puller will be in the Assembly’ Dalit writer Manoranjan Byapari, contesting the Balagarh seat, talks his arrival in politics Prasun Chaudhuri   |     |   Published 04.04.21, 12:52 AM When I called up Manoranjan Byapari sometime end-February, he was busy with the launch of the English version of the first part of his semi-autobiographical Chandal Jiban trilogy, The Runaway Boy. He had been travelling in and out of Calcutta, attending book signing events and readers’ meets. In addition, as the chairman of the newly formed Dalit Sahitya Academy of Bengal, he was hopping from meeting to seminar as part of an effort to publish an anthology of works by writers from backward classes. In the meantime, there was also a low hum about him joining the Trinamul ahead of t

Bengal 2021: On the brink of a religio-political twist?

Bengal 2021: On the brink of a religio-political twist? Bengal 2021: On the brink of a religio-political twist? The TMC in West Bengal has to fight against the deeply rooted religious vengeance among many Namasudras, especially the ones who came after 1964 riot following the alleged theft of Hazratbal Shrine. Mamata s government has not failed to acknowledge the identity politics of Namasudra leaders and this has resulted in the formations of Dalit Sahitya Academy or educational institutions at Thakurnagar. But, has it been too late? advertisement West Bengal CM Mamata Banerjee. (Photo Credits- PTI) None of us should have got back to Bangladesh since we had already seen the genocide in 1971. We should have gone to Indira Gandhi to secure our citizenship in India. But we were not pragmatic enough to do this. Hence, many of these refugees went back. I was in Class-VIII then. My father decided to go back and since then we have been living as subservient to a particular religious c

Manoranjan Byapari: There won t be any gods in Bangla Dalit Literature

Manoranjan Byapari: ‘There won’t be any gods in Bangla Dalit Literature’ ‘Bangla Dalit Literature will be a literature of humanity. We won’t have any gods and we won’t demean anybody. Everyone will be presented just as they are. We will create a new literature.’ Manorajan Byapari, chairman, Bangla Dalit Sahitya Academy, in conversation with Kartik Choudhary Manoranjan Byapari came into the limelight after the publication of his autobiography, Chandal Jebon , in 2012. On 14 September, 2020 he was appointed chairperson of the Bangla Dalit Sahitya Academy by the Mamata Banerjee-led Government of West Bengal. Byapari had come to India as a refugee from East Pakistan just before the 1971 Indo-Pak war. In 1975, when he was just 20, he was arrested for participation in a political event. He learnt how to read and write during his stay in the jail. After his release, he started driving a rickshaw. His meeting with Mahashweta Devi, a literary giant of Bengal, was the turning

Read, without the sacred thread

For long, Indian English literary establishment has enforced a culture that can only be called Brahminical The career of the “literary” has not been very different from the Brahmin’s protectionism of the mantra, an inheritance kept out of the reach of the non-Brahmin. One of the ways in which this has been done in the last hundred years is through anthologies that create and reiterate the idea and the habitat of the literary. Updated: December 19, 2020 9:57:24 am West Bengal CM Mamata Banerjee. (Express) A few months ago, when the Bengal Chief Minister announced the creation of a Dalit Sahitya Academy, many rushed to characterise it as another of Mamata Banerjee’s “minority appeasing” policies. It was even turned into the likeness of a joke that there should also be a Brahmin Sahitya Academy, and so on. Raised by parents who rarely discussed caste, and an education system that refuses to engage with it except in a nominal way

Read, without the sacred thread For long, the Indian English literary establishment has enforced an urbane, metropolitan culture that can only be called Brahminical

Read, without the sacred thread For long, the Indian English literary establishment has enforced an urbane, metropolitan culture that can only be called Brahminical
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