In 1903, author and banker Kenneth Grahame was shot at by a man the London papers would politely term a “Socialist Lunatic.” The shooter was swiftly wrestled to the ground and taken to an insane asylum, but a shaken Grahame understandably began to retreat from banking. Three years later, he moved his family a little further out of London, to Berkshire, and a few years after that, retired from banking entirely in the same year that saw the publication of his masterpiece,
It would be a mistake to call the book an instant hit. Critics, who rarely embraced children’s literature at any time, were at a loss to know what to do with a book about talking animals in the English countryside, one which, worse, refused to maintain any specific tone, veering from slapstick humor and rousing adventure to slow contemplative passages, where animals went from merrily celebrating Christmas with cheerful carols to kneeling in awe before the god Pan. Nor did it exactly follow a traditional narrat
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