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Pourquoi les monstres nous fascinent ? - Conseils d experts Fnac
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Twisted worlds: 10 films about cults
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Hair-raising horticulture: A guide to plants in early horror
On National Plant a Flower Day, put on your gardening gloves and grab a crucifix as we examine the roots of herbal magic on screen.
12 March 2021
Frankenstein (1931)
Long before The Little Shop of Horrors (1960), The Day of the Triffids (1963) or Little Joe (2019), the horror genre featured an absolute menagerie of strange and fantastical flowers. In contrast to Cold War era sci-fi, where plants were bent on humanity’s destruction – take the carnivorous vegetable-creature in The Thing from Another World (1951) or the pod people in Invasion of the Body Snatchers (1956), for example – plants in early horror came to humanity’s aid as poisons, antidotes and talismans against the creatures of the night. This breed of herbal magic is as old as folklore itself. The Epic of Gilgamesh, one of the world’s oldest written stories, mentions a mystical flower that grants immortality to anyone who eats it.
Man’s strange relationship with other species haunts this freaky simian horror film from
Psycho IIdirector Richard Franklin.
Man’s strange relationship with other species haunts this freaky simian horror film from
Psycho IIdirector Richard Franklin. Terence Stamp is Dr Phillips, an archetypal, lab-coated mad scientist, grumpily testing the limits of ape intelligence, and Elisabeth Shue zoology student Jane, unwisely offering help at his remote Gothic mansion, where the most developed ape, Link, is his besuited butler and begrudging factotum.
There’s something of
The Island of Dr Moreau in Phillips’ arrogant, eventually overthrown genetic tyranny. “He’s missed the bus by a lousy 1%!” he rails at the apes’ shortfall from human civilisation. As he clambers over tables and into cages, the gap looks narrower than he thinks. The Doc is tweedy, superior and seedy, with vague designs on his young student, and a bedroom piled high with copies of his one, well-r
Suehiro Maruo fait son cirque grand-guignolesque
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