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Suzanne Winckler

Suzanne Winckler
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Becton, Dickinson and Company (BDX) Q3 2021 Earnings Call Transcript

Becton, Dickinson and Company (BDX) Q3 2021 Earnings Call Transcript
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Leon Bridges After Dark

One thing he learned at TCC was how to play guitar. A classmate named Kyree let him borrow hers one day, taught him a few chords, nothing fancy. He’d been secretly writing songs for a while by then, and the songs were nothing fancy either. Nothing vulgar, nothing sexual, nothing worldly. At eighteen, the young man had given his life to Christ. Joined a Reformed church of his own choosing. He liked that the church’s music featured some piano, some percussion, a guitar, but “nothing crazy.” Liked that the songs were mostly hymns, instead of big productions. And he really liked Jesus. Took the Gospel seriously. So seriously that he threw away his favorite records when he got saved. Threw away Usher’s

Iconic African curator: Okwui Enwezor

Wall Street Journal Article. A headline of the same name was published later in the Frieze Magazine. In The Guardian, he was called “Giant of the Art World” while The New York Times coined Enwezor “the Curator Who Remapped the Artworld”, and the “Curator Who Shaped a Global View of Contemporary Art”. The list goes on. Suffice it to say, Okwui Enwezor, a poet, art critic, art historian and curator, was a man of astonishing and global influence an art world giant, whose legacy has not, and probably will not, be forgotten for many years to come.  Born on 23 October 1963 in Calabar, a port city in the South of Nigeria, Enwezor was part of an affluent Igbo family. The reality of the Biafran war (1967-70) meant that much of his childhood was spent moving around to avoid conflict; the family eventually settled in the eastern Nigerian city of Enugu. 

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