Sixteen films on TV for you to enjoy with an Easter egg or two limerickleader.ie - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from limerickleader.ie Daily Mail and Mail on Sunday newspapers.
Kon Kan -I Beg Your Pardon
Cher -If I Could Turn Back Time
Aerosmith -Love In An Elevator
Tears For Fears -Sowing The Seeds of Love
Tone Loc -Funky Cold Medina
Fine Young Cannibals -Good Thing
Debbie Gibson -Lost In Your Eyes
Share this Posts 9:30 am
Motels -Suddenly Last Summer Stray Cats -Stray Cat Strut Lindsey Buckingham -Holiday Road Fixx -One Thing Leads To Another Pat Benatar -Love Is A 9:30 am
Damn Yankees -High Enough DNA/Suzanne Vega -Tom’s Diner Nelson -Love and Affection Wilson Phillips -Hold On Warrant -Cherry Pie Maxi Priest -Close To You 9:30 am
Dolly Parton -9 to 5 Tom Petty & The Heartbreakers -The Waiting Christopher Cross -Arthur’s Theme (Best That You Can Do) Rick Springfield -Jessie’s
Maria Muldaur -
Midnight at the Oasis: One of those intimate hits which were sort of a precursor to what we would hear from the likes of Rickie Lee Jones later in the decade, and Norah Jones decades later.
Michael Martin Murphey -
Wildfire: A gorgeously arranged song about a girl and horse who freeze to death. The line when the singer says their respective ghosts are coming for him is nicely intense.
Walter Murphy -
A Fifth of Beethoven: A disco version of a well-known classical piece that, in theory, should have been offensive, but is actually irresistible.
Anne Murray -
An American Werewolf in London (1981) John Landis - Show Me the Sequel!
March 3, 2021 by:
It s time for a new episode of our
Show Me the Sequel video series, and in this one above we re asking for a sequel to John Landis s classic 1981 werewolf movie
An American Werewolf in London. (Watch it HERE). Here is where you may stop me and say, But we already have a sequel to
An American Werewolf in London! It s true, a follow-up called
An American Werewolf in Paris was released in 1997, but that sequel isn t popular with most
AWIL fans. We have an idea that might be received better:
Although they seem to be polar opposites on the surface, horror and comedy are two sides of the same coin. In terms of writing, they both rely on a certain kind of buildup and a certain kind of payoff. Whether it’s comedic or horrifying, that built up tension and payoff often has a similar structure in the way that it’s written and executed on screen. Whether it’s a dark comedy, mockumentary, slapstick, satire, or something else entirely, horror consistently proves to be a solid framework for setting up laughs. Not only that, but the combination of the two genres is special in the sense that it can allow the audience to view otherwise frightening events through a comedic lens, providing an experience that isn’t quite possible in a standard horror film.