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Neil Fox
, February 5th, 2021 13:04
Michael Cumming and Stewart Lee bring the story of Robert Lloyd and The Nightingales through insightful, lively conversations – and Neil Fox has one of his own with all three to celebrate the release
It looks like a music documentary. There’s a famous person [Stewart Lee] walking out of a train station, telling viewers where they are and why it’s important. Now they’re telling us what is going on and why we’re here. It feels like a music documentary. And
King Rocker, Michael Cumming and Stewart Lee’s film about Robert Lloyd and The Nightingales is one. But it’s also not. You’d expect a film by the director of Brass Eye and
Alun Owen, Lionel Bart and Brian Epstein at the Cavern Club in Liverpool in January 1964. Photograph: Sayle/Mirrorpix
The story of rock’n’roll in the 60s has been told countless times by the stars who sang the songs, spun the solos or thrashed the drums. In the UK at the time, that most often meant straight white men, as it did in the US. But the people who shaped and advised those artists – the ones who managed the stars of the classic rock age – were, by an outsized margin, gay men.
From sharehousing with AC/DC to comforting Sharon Osbourne: life as the world’s first female roadie