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Making a Living at Financial Domination Online - The New York Times

April 10, 2021, 5:00 a.m. ET To celebrate her 27th birthday, Mistress Marley, a professional dominatrix from Harlem, flew to Tulum, Mexico, where she rented a modern four-bedroom villa with a limestone pool, private beach and personal chef. For four days, she and six friends swam in the warm Caribbean waters, went zip-lining in the Mayan jungle and dined on fresh lobsters and tequila at boho-chic restaurants. Whenever she wanted money, she said, she would set up her iPhone on the coconut-filled beach and command her online suitors to chip in. “Tulum has been amazing thus far. Keep funding my trip!” she posted to her Twitter followers in late January, along with her CashApp handle and a 15-second video showing off her curvaceous bikini body, bright red fingernails and flowing dark tresses.

Syracuse police SUV sustains heavy damage in East Side crash; no one injured, police say

Syracuse police SUV sustains heavy damage in East Side crash; no one injured, police say Updated 9:36 PM; Today 9:36 PM Officer Taylor Knight was driving a Syracuse patrol car that sustained heavy front-end damage during a crash on Syracuse s East Side on Monday night. Facebook Share Syracuse, N.Y. A Syracuse police SUV sustained heavy front-end damage in a crash Monday on the city’s East Side. The crash was reported at 6:46 p.m. in the intersection of Irving Avenue and East Fayette Street, police said. The patrol SUV, which was being driven by officer Taylor Knight, collided with a tan sedan that hit a building at the intersection, according to police.

slowdanger imagines a better future with sound and movement series remix disruption

Photo: Anna Labick slowdanger’s Taylor Knight and Anna Thompson The pandemic has forced nearly everything online, including performing arts that would otherwise take place in front of a live audience. While this has become a necessity, Taylor Knight and Anna Thompson, co-artistic directors of the multidisciplinary performance duo slowdanger, were frustrated with the limitations of going digital. “As a performer, it just makes me sad sometimes to watch a performance online,” says Thompson. “While we have participated in a lot of virtual performing, there s almost a flattening of interaction, where you re kind of passively watching the screen.” The two decided to work with a number of fellow artists from Pittsburgh and around the country to create

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