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New York Showcase Day Features Six Stakes On Monday s Holiday Card At Belmont - Horse Racing News
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הסיפור על מאכער במשרה מלאה שמתווך בין טייקונים נראה לי מופרך אוי, כמה טעיתי - הפרשנים שלנו
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Wake In Fright (aka
Outback) and Nicolas Roeg’s
Walkabout. Though directed by foreigners (Canadian and English, respectively), they were uniquely Australian stories that set the mold for much of what was to come.
And what came was that, by the decade’s end, such homegrown directors as Peter Weir, Bruce Beresford, Gillian Armstrong, George Miller, Fred Schepisi, and Philip Noyce were considered among the world’s leading emergent celluloid talents. While movies from Australia (barring the occasional international production shot there) were seldom seen abroad before 1970, by the 1980s they’d become widely exported and acclaimed.
A couple new features are very much in synch with the templates set by those two original “Australian New Wave” classics, with
By Bill Knight
Five years ago this week, cartoonist June Brigman took over the iconic newspaper comic strip “Mary Worth,” continuing a popular feature whose roots some say are tied to a Depression-era strip with a lead character of the same name but much different circumstances.
Brigman is a veteran illustrator, working on comic books including “Supergirl” (DC) and “Power Pack” (Marvel), plus “Star Wars” titles and the “Brenda Starr” strip.
“Mary Worth” syndicator King Features disputes a connection to “Apple Mary,” an oft-forgotten strip by Martha Orr about a plucky woman hit hard by economic misfortune, making ends meet by selling apples on the street, and dispensing advice.
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