February 18, 2021
The Florida Gators released their 2021 spring roster ahead of practices starting on Thursday. Some Gators lost big while others gained big.
Here we will go over the biggest changes fall to spring.
Offense
OL Richie Leonard lost 12 pounds going from 347 to 335
OL Josh Braun put on 12 from 340 to 352
OL Ethan White jumped from 335 to 346
OL T.J. Moore went from 300 to 309
Most of Florida’s offensive gains and losses were made on the offensive line, a unit that struggled a season ago. White’s weight gain stands out a bit here considering he worked to lose more than 60 pounds after he got on campus, but this could be linked to the knee injury that kept him off the field for much of the 2020 season.
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Narrative Features
“The Antisocial Network”
Ben Mezrich, the author of “The Accidental Billionaires” about the founding of Facebook, made a book proposal called “The Antisocial Network,” and the film rights to the proposal were swiftly swooped up by MGM. Oscar-nominee Aaron Ryder will produce the narrative feature film about Mezrich’s unwritten story. Tyler and Cameron Winklevoss are also attached to executive produce the film.
RatPac Entertainment nabs WallStreetBets founder’s life rights
Though there’s no writer involved just yet, the founder of the subreddit WallStreetBets Jaime Rogozinski sold his life rights to Brett Ratner’s RatPac Entertainment in exchange for a payment in the low six-figures, The Wall Street Journal reported earlier this month. The idea is to dramatize Rogozinski’s own role in the GameStop saga, and the company and Rogozinski are meeting with writers to pen the script.
Los Angeles-based indie Propagate Content has partnered with The Wall Street Journal Studios and
Baby God filmmaker Hannah Olson for a new feature-length documentary that will spotlight the recent GameStop stock market chaos and the short squeeze movement.
This Is Not Financial Advice is to examine the origins and inner workings of the digital and social investment communities that turned new investors into millionaires and brought a billion-dollar hedge fund to its knees.
The narrative film, which is currently being filmed, will explore the emergence of a new subculture “with roots of distrust in traditional financial institutions and their regulators,” according to a release.
“It’s going really well,” Josh Braun, co-founder of the hybrid sales, production and distribution company Submarine, told TheWrap. “At any normal Sundance, you often get to Sunday night and you evaluate what the market looks like and, traditionally, you feel like this dam is about to burst and all the announcements come Monday and Tuesday. This year, it’s different, in that all the premieres will have happened at the end of tonight.”
In the past four days, Sony Pictures Classics picked up the documentary “Jockey,” Neon made a seven-figure deal for the animated documentary “Flee” and bought the Alvin Ailey doc “Ailey,” and Apple broke festival sales records with its $25 million acquisition of “CODA.” And that doesn’t include sales of films before the festival even started, with RLJE Films buying Nicolas Cage’s “Prisoners of a Ghostland” and Juno picking up “The Most Beautiful Boy in the World.”
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