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Departures | Jeremiah Stone and Fabián von Hauske Valtierra
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For a moment in 2015, it seemed like George Lewis Jr., who performs as Twin Shadow, was about to break out of indie rock and into actual pop-star fame. Around the time of his major label debut,
, Lewis wrote a song for Billy Idol and submitted material for Chris Brown and Eminem. He dated Zoë Kravitz, posing on red carpets in a Calvin Klein suit. He donned a pair of white skinny jeans and talked about his artistic process for Leviâs. He became fodder for Page 6. But
Eclipse, the album that was supposed to usher Lewis across the velvety threshold into the kind of mainstream success enjoyed by, say, Grimes or the Weeknd, was bizarre and confused. It peaked at No. 91 on the Billboard charts, stranded between indie rock and mainstream pop. His 2018 follow-up,
The First Art Newspaper on the Net
by Claudia Carr Levy
NEW YORK, NY
.- Upon first seeing Jason Stewarts new work, I thought of Filippo Brunelleschis facade of the Ospedale degli Innocenti, the foundling hospital in Florence that he was commissioned to design in 1419. The arches of the hospital facade have always captivated me. Brunelleschis arches are perfect in their form and progression: perfect graceful architecture. Why, I wondered, did that architectural image appear as I looked at the series of paintings called Shaping Color? The precision of Jason Stewarts arcs in their spaces on canvas resonate with Brunelleschis architecture. The paintings seem to transpose geometric architectural form into pictorial space. Perhaps this geometry would seem to belie the dominance and importance of color in these paintings. Yet color holds the arcs; the arcs hold color. The more one looks at these works, the more one observes the paradox between color and form. And the mo
Anders Wahlstedt Fine Art opens Shaping Color: Paintings by Jason Stewart
The Shaping Color series was composed during the tumultuous time of the pandemic.
by Claudia Carr Levy
NEW YORK, NY
.- Upon first seeing Jason Stewarts new work, I thought of Filippo Brunelleschis facade of the Ospedale degli Innocenti, the foundling hospital in Florence that he was commissioned to design in 1419. The arches of the hospital facade have always captivated me. Brunelleschis arches are perfect in their form and progression: perfect graceful architecture. Why, I wondered, did that architectural image appear as I looked at the series of paintings called Shaping Color?
Officials aiming to streamline zoning ordinances - Effingham Herald
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