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In a little over three years, Ryan Murphy’s
Paris Is Burning-inspired series
POSE has changed the landscape of television. Embarking on a six-month search to find and cast real trans women and LGBTQ+ actors of colour, the show was revolutionary before a single episode had even aired. The original script was reportedly rejected by 166 Hollywood studios that didn’t think there would be an audience for it. They couldn’t have been more wrong.
POSE became a star-making machine that broke the mould, with myriad awards and many firsts along the way, notably having the largest cast of trans actors ever for a scripted series and, with Janet Mock, the first trans woman of colour to direct an episode of television.
toggle caption Eric Liebowitz/FX
Angel (Indya Moore) celebrates her upcoming nuptials with Elektra (Dominique Jackson), Lulu (Hailie Sahar), and Blanca (MJ Rodriguez) in Season 3 of
Pose. Eric Liebowitz/FX The balls are how we grieve.
The third and final season of
Pose, which concludes this Sunday, began with a loss. Jumping ahead several years to 1994, the show s colorful protagonists are in various states of highs and lows: Angel (Indya Moore) is having trouble landing gigs; Pray Tell (Billy Porter) is dealing with alcoholism and depression; Blanca (MJ Rodriguez) has a new man and is volunteering at the AIDS clinic; Elektra (Dominique Jackson) has found success launching her own phone sex operator business.