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Print The Times is committed to reviewing theatrical film releases during the COVID-19 pandemic. Because moviegoing carries risks during this time, we remind readers to follow health and safety guidelines as outlined by the Centers for Disease Control and Prevention and local health officials. More than once during “All Light, Everywhere,” you may find yourself wondering exactly what you’re looking at. This is entirely appropriate, since one of the key points of this expansively brainy cinematic essay concerns the limitations of human vision, perception and understanding. You’ll puzzle over some of the images, many of them arrestingly shot (by Corey Hughes), gradually tease out their meanings and perhaps even synthesize them into a narrative. Curious metal gadgets pass through an automated assembly line. Throngs of people don protective glasses and gaze skyward on a hot day. A veiny, pulsing blob of light reveals itself as a closeup of an optic nerve a disorienting, brain

United statesFrederick douglasJules janssenLos angelesCorey hughesJules mareyTheo anthonyFreddie grayCenters for diseaseBaltimore police departmentDisease controlPersistent surveillance systemsGoogle earth styleAll lightOpens juneWest los